A Quote by Chrissie Hynde

The only thing I've ever offered the public is some music. If they like the music, that's great. Turn on the radio. If they don't like it, switch it off. — © Chrissie Hynde
The only thing I've ever offered the public is some music. If they like the music, that's great. Turn on the radio. If they don't like it, switch it off.
At home I have a mixing desk that I like playing around on. It's great fun making music myself. And music has always been a very good counterbalance to football for me. It allows me to switch off and relax.
I think that the special thing about radio is the off switch. If something's not pleasing you, turn it off.
If I switch on the radio and hear some nice classical music, I will sit and listen to it but I don't sort of play records or go for any particular type of music.
If you only ever heard "Valley Girl," or "Don't Eat The Yellow Snow," or a song that has a comedic narrative, you would get some impression that that was novelty music, but that's the only stuff that ever got on the radio. You can make the argument that that's what has confused generations as to what his music's about.
Whether you like modern incarnations of what country radio hits are, or you like what I'm doing, or you like something really off in folk, poetry Americana land, it's all just music, man. If you like one of them, great - go buy it.
I have four older siblings and one younger, and all three of my brothers are in the music industry. My dad was really involved in music, too, with the disco, and he also started Radio Caroline and was the one who invented pirate radio, if you like, off on a coast in England on a boat.
I've become kind of a haven for people who like pop music, but that's not the only thing they like. They also like music in general and want to be able to expand their own horizons. They haven't completely given up on music and are willing to have somebody mediate new things that are happening in music to them.
In my opinion, it seems like music is taking a bit of a turn. Look at Mumford and Sons, and the Lumineers. It seems like people and music fans are enjoying the more artistic side of music, and that popular music is taking a turn and accepting that, so I appreciate that.
What happens when I'm making a new album is I try not to listen to music that's coming out at the time. I turn off the radio and don't read any music blogs, because I tend to get really distracted by new music. When I hear it, I think, "Should I be doing that?"
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
When I'm riding in a car, I don't really listen to music. I turn the radio off and just be thinking, brainstorming. I'm one of these people that just like to brainstorm.
I think that this television medium, or whatever we call it now, is a really great frontier to turn people onto music - to new music or old music. It's a great platform where you've got people's ears, and you can throw something at them. I like to use it to the fullest that I can.
I don't like to feel like I'm in a club when I'm in my car and I turn on the radio. Anything that ceases to be a song and just sounds like house music kind of stresses me out.
Some cultures don't have a separate word for music and dance. To my knowledge, this notion of listening to music without dancing is a Western creation. I can't think of any artist that I love that doesn't inspire movement in some form or another. I guess Tangerine Dream or early Vangelis or something like that, you're not really going to dance. But on the whole, I feel like dancing and music are so naturally intertwined. I feel like subconsciously, that's the goal whenever I'm working on music. It's kind of the defining thing: Does it got some funk to it, basically?
Personally, I cain't stand classical stuff, but I don't tell the world about it. I just turn the radio off. Now, why cain't these folks who don't like my kind of music do the same?
I always like to think of music as if you were to turn the picture off, actually. Just by listening to the piece of music, there's a story there and a connection to the characters and the plots and all of that.
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