A Quote by Chrissy Costanza

I am literally horrible at speaking to a camera. — © Chrissy Costanza
I am literally horrible at speaking to a camera.
Don't get me wrong, it definitely ain't the Democratic Party either. They're so bad, I mean I'm actually starting to believe that John Kerry was just token resistance, that he literally was down with George W.Bush. It was just such a horrible, horrible, horrible thing to see, that campaign. So, you know, I don't know what's going on.
There are receptors to these molecules in your immune system, in your gut and in your heart. So when you say, 'I have a gut feeling' or 'my heart is sad' or 'I am bursting with joy,' you're not speaking metaphorically. You're speaking literally.
Do as the beautiful woman: see to your figure and your petticoats. Though, of course, I am not speaking literally.
"When I speak of love I am not speaking of some sentimental and weak response. I am not speaking of that force which is just emotional bosh. I am speaking of that force which all of the great religions have seen as the supreme unifying principle of life. Love is somehow the key that unlocks the door which leads to ultimate reality."
I can use the camera to make a place or landscape; the camera to a greater extent projects rather than takes in or reproduces. The camera, or, rather, the eye, produces the impression of the place: I as a photographer am not passively taking in; I am active as a subject generating the object.
One concept corrupts and confuses the others. I am not speaking of the Evil whose limited sphere is ethics; I am speaking of the infinite.
Once a photographer is convinced that the camera can lie and that, strictly speaking, the vast majority of photographs are camera lies, inasmuch as they tell only part of a story or tell it in distorted form, half the battle is won. Once he has conceded that photography is not a naturalistic medium of rendition and that striving for naturalism in a photograph is futile, he can turn his attention to using a camera to make more effective pictures.
My manager and fellow YouTuber, Mike Lamond, encouraged me to start a YouTube channel as a way to practice speaking, entertaining, and being more comfortable in front of a camera. In the beginning, I used an $80 dollar flip-camera and edited every episode myself.
In films people basically work for the camera, you know, and that's why actors can hate each other and not be speaking to each other and still look as if they're in love because really they're loving the camera loving them.
My biggest challenges when I first started out were not having a computer or camera or Wi-Fi! The computer and the camera had to be borrowed, and there were times that I used the computer at the library, and I literally sat outside people's houses to steal their Internet connections.
I am very proud of my husband, both behind the camera and in front of the camera.
Rabid fans were literally jumping into the camera.
'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.
I was fortunate to literally find my style on camera working in Canada.
I have been in public for a long time, so the camera was never an issue for me. I am very comfortable in front of a camera.
I'm horrible at these things, 'cause I'm a horrible date.What's a good date? A nice dinner and a movie? I don't know. What are dates? An amusement park? What am I supposed to say? Hmm. I have no idea.
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