A Quote by Christa Campbell

I did 'Lonely Hearts' with John Travolta and James Gandolfini. Talk about getting over your fears. These guys were amazing! Also, Cuba Gooding, Jr. is one of my favorites. We've made 3 films together. He is such a generous, giving actor.
When Cuba Gooding Jr. and I were doing 'The Trip to Bountiful,' we would always go to BXL, a Belgian restaurant/bar. It was across the street from the theater, and they have amazing mussels.
I was researching some of the modern-day figures that The Sopranos were moulded on. So many iconic Sopranos moments. James Gandolfini and Edie Falco had an incredible scene together in the kitchen of that house that looked like it was about to explode. That was an iconic series that changed the way we did television. It is also an extremely realistic portrayal of the mafia. Much more so than The Godfather. The Godfather, one of the greatest films ever, but let's face it, a romanticized version of the mob.
When you see my performances, even people that you might have known, like Nicky Barnes in 'American Gangster,' you have to get over the fact that I look like Cuba Gooding, Jr. But once you find truth in the performance, if I'm doing my job right, you believe everything.
From a young age, [James Baldwin] was watching all those different films. He's watching John Wayne killing off the Indians. He came to the point that the Indians were him. You had to educate yourself because the movies were not educating you. The movies were giving you a reflection of you that was not the truth. That's the trick. The movie was also giving a reflection of what the country is. Basically, a country that wanted itself to be innocent. That's the ambivalence of Hollywood.
My first film was with Cuba Gooding Jr, 'The Fighting Temptations,' and I had a little part here and there on little shows as guest stars. And I've taken acting classes.
Whom do you feel sorrier for: the cast of 'Boat Trip' or their children? Remember, kids can be very cruel - and this latest 'get Cuba Gooding Jr. career counseling fast' project is a misfire from beginning to end.
I grew up a Baptist and went to seminary at Methodist school, Duke University, but I also don't worry too much about denominations. I love what John Wesley said - "If our hearts are together, let's not worry about whether our heads are together. If our hearts are together, then let's joins hands." So, I try to do that regardless of denominations.
This is going to sound ridiculous, but I remember watching 'Boyz n the Hood,' and there is a scene where Cuba Gooding, Jr. gets pressed against a car by a police officer, and he starts crying because it's so humiliating. I remember thinking in that moment that I could totally identify with him, and I'm a little white kid from Canada.
My goal was always to be working on the biggest stage in the world: Hollywood. Even when I was doing 'The Bill,' I approached the work like it was a Hollywood classic such as 'Training Day' or 'Boyz n the Hood.' So to have worked with some of the greats I've admired, such as Forest Whitaker, Kathy Bates, Cuba Gooding Jr., etc., it warms me.
But James Gandolfini and Edie Falco, they did such great work, especially in the last show.
I have known Abhishek Banerjee for a long time. There have been a lot of films in the past where we were rejected together. We have seen each other's journey. He is an amazing actor.
Guys like Rey Mysterio Jr., Eddie Guerrero, Dean Malenko, guys like that, they've inspired me. They made me want to do this. Those guys were three of the top cruiserweights that you can name.
I made so many films I thought were great and they turned out horrible, and I made films I did not believe in at all, and 'Shadow Of The Vampire' was one of these films I did not believe in during the shooting. And then when I saw it I was surprised what they had made out of it. They edited for quite a long time.
In order to feel safer on his private jet, actor John Travolta has purchased a bomb-sniffing dog. Unfortunately for the actor, the dog came six movies too late.
An incredible advertising career is not about creating an incredibly amazing ad, it's about making an incredible amazing ad every single day of your career, it's about getting those adds killed, and resurrecting them over and over again. It's about your season average not that occasional home-run.
John Travolta is getting old, despite what his hair is trying to tell us.
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