A Quote by Christa McAuliffe
Sometimes when things get kind of frantic, it helps to call my husband Steve, because I think he's got a real good sense of where everything's gonna be in a few years.
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I call everything Steve. Since I was little, I'd go on, like, holiday and call hermit crabs Steve. And I still do. I'll name a snail Steve. Everything is called Steve in my world. My car is also called Steve.
You are frightened of everything. You call it caution. You call it common sense. You call it practicality. You call it playing the odds, but that's only because you're afraid to call it by its real name, and its real name is fear.
If you're a real hip-hop fan and a real street music fan, and you just love good music, you're gonna play it from top to bottom, and you're gonna get the concept, you're gonna get the story of my life, you're gonna be entertained, you're gonna dance you're gonna feel emotion, you're gonna get the truth, whether you like it or hate it.
The moment somebody becomes famous, 15 years gets knocked off their life. They're gonna get divorced a few times, they're gonna be addicted to things, they're gonna be in therapy.
I think in everything we did, there's a sense of tension and a sense of things pulling in a different way. It's interesting calling it "beat music". That's quite true, the rhythm is up to the fore, it's got a slap bass, and it's got "funk" in the title. But I think there's always a level of irony when we did those kind of things.
I'm gonna open a small restaurant on the beach in Mexico. We're only gonna have a few tables, and we're only gonna cook what's fresh that day. We're gonna get back to the basics... Real food for real people.
I read the script [ of 'Steve Jobs' movie ], and it was very, very good. I wasn't sure they would want me to be in the movie, but I auditioned for it. Which I hadn't done in a few years. But I had auditioned in the previous few years for another movie that I did not get the part. And so my track record wasn't good. But I really wanted to audition because I was worried that I was going to blow it, and I wanted it to be on them for choosing me.
I think David Yates was just like, "You've got on with it for a few years, I'm gonna let you off the hook." And also, I think it's because the action side of stuff that we were doing, it was going to be very difficult to do all that with all the prosthetics on. It was gonna be hard work, and I think they just said, "You know what?" I think they put a level of trust in me, as well. They said, "You know, we're gonna let Neville Longbottom lose the fat suit, lose the teeth, lose the Adolf Hitler hair."
I think CMG is gonna grow and only get bigger and bigger. We're gonna continue to find the right talent and do everything that's necessary because I got an 'I will not lose' mentality.
The inner sort of consumer identity got the best of people. And everybody just wants things for free. And that's created this strange kind of cheapness to everything, where everything becomes throwaway. And people, I think, have started to undervalue things, maybe because there's too much, maybe because it's too easy to make, but I think mostly just because, somehow, that's the pattern that got set. And I think that's regrettable.
We think it hugely important to support young artists, there is a war against that kind of artistry, that kind of creation...When somebody is 19 years old, they're gonna do what they're gonna do just like we did... For me the most important thing was for him to know anytime he can call and I'll come whatever happens.
Sometimes the work can get in the way and you give a less-good performance, and sometimes it doesn't and you can really get to the heart of something. And all the other stuff is just interesting and adds another layer to your performance. It helps you find the reality. Because you're not just playing yourself, you know? That would be kind of boring.
I've never been in another kind of midlife crisis. I don't know what it feels like when you're through that, but I definitely feel that changing a few things, like being on a different label and having things kind of settle back into a sense of normality, helps to feel grounded.
I got everything I need right here with me. I got air in my lungs, a few blank sheets of paper. I mean, I love waking up in the morning not knowing what's gonna happen or, who I'm gonna meet, where I'm gonna wind up. Just the other night I was sleeping under a bridge and now here I am on the grandest ship in the world having champagne with you fine people. I figure life's a gift and I don't intend on wasting it. You don't know what hand you're gonna get dealt next. You learn to take life as it comes at you... to make each day count.
I think that public grieving is a good thing. People need to be grieved; loss needs to be acknowledged publicly, because it helps to confer a sense of reality on the loss but also because it makes it known that this was a real life.
I'm actually big into meditation, transcendental meditation, and that really helps create not only a sense of balance, but all the other stuff this is gonna sound cliché... serenity and kind of a calm state of mind. And not that I'm like that all the time, but it helps me deal with life's ups and downs, coming from more of a centered place. Also it helps with creativity.
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