A Quote by Christa Miller
When I was asked to write an article about what it was like to work with my husband on a TV show, I assumed it was because people thought it would be titillating. He's a creator/writer/producer, I'm an actress; there must be lots of gossip, in-fighting, maybe some crazy-sexy time on the set, right? Actually, it's pretty tame.
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My husband would talk about my volunteer work on his show, and people assumed I was this expert. On a daily basis, they would stop and ask me questions about their dogs.
I don't remember being thought of as good-looking until I became a feminist. It's more of a comment on people's expectations than of what a feminist would look like. They assumed that if you could get a man, you wouldn't want anything else - what else could you possibly want? So that feminists who were talking about such things as equal pay must be doing so because they were unable to get a husband to support them, and therefore they must be ugl - this was the sort of train of thought. So because I looked different from the stereotype, then people would comment.
I wrote an article about the marine landing [in Haiti] right away, but barely mentioned the oil, because my article would come out two months later and I assumed by then, "of course, everybody knows." Nobody knew. There was a news report in the Wall Street Journal, in the petroleum journals, and in some small newspapers, but not in the mainstream press.
Now, I try not to read gossip as a rule. But the other day, a website ran an article with a picture of me wearing sweatpants on the way to the gym. And the writer asked, 'Why does this petite beauty insist on dressing like a massive man?' Because I like to be comfortable.
I've always been a writer. I started getting paid for writing in college. Where it transitioned from commentary to journalism was in that shift - not wanting to write personal stories because people are hungry in not necessarily great ways for the sexy, sexy, sex work story. I was trying to shift the focus, and journalism was the tool I needed to write about people outside my own life and range of experience.
Even before I was working off-Broadway, there were lots of different TV shows that I would actually say 'no' to, and my agents would be like, 'Are you crazy?' but they stuck with me because they know the kind of things that excite me.
I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
My brain does like the idea of hosting a late-night show. My brain does like the idea of maybe having a show about me. So, I often pitch ideas and work on scripts and do that just because I may not be right about how I feel, so why not just do this, and if it happens and I got my own show, well maybe I would really end up falling in love with it.
From the time I was very young, maybe five or six, I thought a lot about being an actress. I didn't tell my friends about my ambitions, though, especially when I got older, because I thought they would not receive them well. I never talked about what I wanted to do.
I constantly write about my safety walking to and from school, and then I would come home at night, and I would cut on the TV, and I would watch a show like 'The Wonder Years,' or I would watch, you know, some other show like 'Family Ties.'
I wanted to be a real writer, you can put it this way, but I was lazy. So I thought that cinema would be funnier because it's collective, and it's crazy, and it's chaotic, and also because I was based in Spain. So I said it will be easy to make a career of that - because all the other filmmakers there are very bad. And it will be funny at the same time. So this was the point. It will be funnier, easier, and maybe at the end there will be some unknown beauty, and maybe on the way we'll create the dream that a different logic is possible for life.
I'd like to actually work with a lot of other people, and whether it's someone who is completely unknown who I love and think is a talent, maybe I'll work with them, or, like, maybe I'll work with some of the biggest pop stars and write music for them.
I do want to do TV, but I'm looking to be a creator, writer, and producer, and perhaps I could be a recurring character. Do 10 shows a year, something like that.
When I came into consciousness as a writer when I was in my early 20s, I just assumed that a writer did - a poet writer did everything all at once. I would write poetry, and while writing poetry I would also write work in the world - if I could get into the world.
Why not provoke some thought and get people talking about things? I like characters that are flawed because we all are. When people break up in a script, you think, Oh, right, there must be tears shed here. But maybe the fact of the matter is that they're both laughing.
I thought I was a pretty good writer, but I didn't have anything to write about. I wanted to go out in the world, have some adventures and then write about them.
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