A Quote by Christen Press

I have learned that there's a little bit of a danger in stressing ourselves out and living in the future - worry affects how we are today. — © Christen Press
I have learned that there's a little bit of a danger in stressing ourselves out and living in the future - worry affects how we are today.
When we understand that we are a human race, what affects you affects me, what affects her affects you and so on and so on, then we'll look at this thing [HIV/AIDS] for what it really is. It's a disease that's out to kill all of us. What will make it continue is our prejudices, our ideas about it, and the fact that we don't look at ourselves as one giant community.
We are living in a world of fear. The life of man today is corroded and made bitter by fear: fear of the future, fear of the hydrogen bomb, fear of ideologies. Perhaps this fear is a greater danger than the danger itself because it is fear, which drives men to act thoughtlessly, to act dangerously.
I learned how to have a little bit of distance when I explained songs and a little bit of distance when I wrote them. I think this is more interesting any way in art.
When it is my editor telling me how to rewrite a story, I listen and do what she asks because I have learned that I get a better book in the end. I can't say I'm happy when I read that editorial letter. It is always a little painful and scary. But I have learned that - bit by bit - I can make the changes and do the work.
We are living in a world of fear. The life of man today is corroded and made bitter by fear. Fear of the future, fear of the hydrogen bomb, fear of ideologies. Perhaps this fear is a greater danger than the danger itself, because it is fear which drives men to act foolishly, to act thoughtlessly, to act dangerously...
...we have to surpass ourselves every day, make every day undying. Climb our own personal Everest and do it in such a way that every step is a little bit of eternity. That's what the future is for: to build the present, with real plans, made by living people.
Worry was my mother's mechanic, her mechanism for engaging with the machinery of living. Worry was an anchor for her, a hook, something to clutch on to in the world. Worry was a box to live inside of, worry a mechanism for evading the present, for re-creating the past, for dealing with the future.
I think I've learned quite a bit about the battle of the sexes or, at least, how to keep the status quo a little bit more.
Worry a little bit every day and in a lifetime you will lose a couple of years. If something is wrong, fix it if you can. But train yourself not to worry: Worry never fixes anything.
When I was diagnosed with cancer at age 22, I learned just how much cancer affects families when it affects individuals.
I learned from my peers, and I learned from doing projects, and I learned from mentors, but I learned very little from lectures, and I've talked about how little I attended them.
I wish parents at the end would think a little bit about how everything we do affects the lives of our kids and defines who they're going to be.
I learned little by little. I learned how to draw. I learned how to tell the difference in the quality of fabrics - the subtle differences. I started with collections for men. So my first collection for women was deeply inspired by male roles.
The future is not in our hands. We have no power over it. We can act only today. We have a sentence in our Constitution that says: 'We will allow the good God to make plans for the future - for yesterday has gone, tomorrow has not yet come and we have only today to make Him known, loved and served.' So we do not worry about the future.
Demography is changing us as we are older societies, we're living longer. How the generations balance each other out, how that affects education and health care.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
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