A Quote by Christian Bale
I ain't the first on the list that people are sending scripts to. I'm very lucky. I've managed to put myself in the position with some directors, who will be calling me directly, and we're working on things and talking about things, but that's on a purely creative level.
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I ain't the first on the list that people are sending scripts to. I'm very lucky. I've managed to put myself in the position with some directors, yes, who will be calling me directly, and we're working on things and talking about things, but that's on a purely creative level. And then you go and have to deal with the financial level.
I always resist seeing my own personal motivation in my work, but I guess it must be there on some level. And I do feel very much that my life follows the kinds of things I talk about in my books. I've always thought of myself as an insanely lucky person, so perhaps the success of my first two books led me to want to examine this phenomenon on some unconscious level.
I find that I don't lie about the big things in life. The things that matter. And about me. While I'm talking about myself, I rarely lie: I know who I am, my level of talent, that I'm not the most versatile filmmaker, the person I am. I don't lie about myself because I don't lie to myself.
I don't like talking about my work at all. I find it very difficult. I never know what to say. It's too close to me, and there's so many things happening unconsciously while I'm working that I'm not aware of, and people will point these things out to me, and I'll say, "That's interesting." But I don't know what to make of it.
A lot of people have many misconceptions about religion. I know what I'm talking about for myself. My mind is very ordered, so to speak. I need to put things in order.
Well that's basically how we launched Sherwood Pictures, and with our films, we sat down and we had a long list of specific things that we were praying for God to provide, and then we would just deal with all those things in prayer first, and then when we went out and began knocking on doors and calling, it was clear that God was going before us and providing the way and sending the resources.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
I've read a hundred fantastic scripts that didn't pan out as films, and I completely put that on the directors. I've also read some mediocre scripts that have ended up being amazing, and I credit that to the directors. They're the storytellers. If you don't have a good storyteller, you really have nothing.
People are calling a lot, sending scripts my way. Yes, it's wonderful because, let's face it, there aren't many wonderful scripts for women over the age of 10.
I have always been very open and earnest about some things in my life, some things that are not directly in my life, but they're twirling around me at the time.
I'm very lucky to be at this level and it is very hard to catch up. It is all about holding on and it is very important to learn from the other drivers. I tend to put a lot of pressure on myself, wanting to be very good very quickly, which forces me to up my game.
The difference between a stranger sending you a message that you might be interested in at a very low volume level, no repetition, just sending it to very few people, and that being done as spam - those things get close enough that you want to be careful never to filter out something that's legitimate.
I believe that things kind of happen for a reason. But at the same time my real mission is just to continue working in the movie business with the scripts I enjoy, characters that challenge me and people that I admire. It's such a great business when you're in it and the ability to do things that even surprise you is continually evident. For me, it's just about challenging myself - that's the biggest thing - and taking care of my child and paying my bills.
Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.
I have a stack of scripts that I've read - I'm in the lucky position where I get offered things - but I haven't wanted to direct many of them.
I write about what worries me and, hopefully, things worry me a little bit earlier than they do some other people, purely because I am a writer and it is my job to go out there and be worried by things.
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