A Quote by Christian Bale
It was always that I finished one movie and then had no idea what I was doing. I think there's a limited amount of planning you can do, at least in the position I'm in. Maybe more successful actors can plan more than I'm able to.
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I think there's a limited amount of planning you can do, at least in the position I'm in. Maybe more successful actors can plan more than I'm able to.
I think a play can do almost anything, because it's also a static form, much more so than in a movie. In a movie you can move the scenery, you can do anything any way. A cartoon, happens in a limited amount of space and a limited amount of time, and you can only get so many words before the reader's gonna get impatient. All of these forms that I enjoy are in a sense a slight of hand, where you have to suggest much more than you really show. You have to, in a sense, seduce the reader and trick the reader or the audience into going with you.
What had happened was this. When still young, I had gotten the idea from somewhere that I might be able to write... Maybe the deadly notion came from liking to read so much. Maybe I was in love with the image of being a writer. Whatever. It had been a really bad idea. Because I couldn't write, at least not by the bluntly and frequently expressed standards of anyone in a position to offer any encouragement and feedback.
I think a lot of actors, maybe who have been on a hit show and been lucky enough to get successful, might say 'no' more than I do. And maybe that's good, maybe that's smart. I don't know.
Well, I see myself in the same business but a lot more successful and doing more movies maybe behind the camera. I plan to do some growing in this industry and take it as far as I can.
I think 'Dead Poets' was probably my favorite, just to get started with the idea of doing a movie that people treated as more than a movie.
[On charity] I try to pick subjects that I can learn about and then focus on and then do as much as I can. If you have a tremendous amount of heat from the spotlight, then you're able to shine a little bit more of your light in a different direction. It's just deflecting. My dad calls it a celebrity credit card that you can cash in. I think if you're in this position you should do it.
It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job. I really don't think about my career, in terms of planning it out and what this does for me.
[Fritz Haber's] greatness lies in his scientific ideas and in the depth of his searching. The thought, the plan, and the process are more important to him than the completion. The creative process gives him more pleasure than the yield, the finished piece. Success is immaterial. "Doing it was wonderful." His work is nearly always uneconomical, with the wastefulness of the rich.
'Tangerine' was less than half the budget of 'Starlet,' and 'Starlet' was already a microbudget film. A director always wants more time, and we had a limited amount of resources.
I didn't think there was any way to convince Jack that he wanted more than I had to give, that to people who'd been damaged the way I had been, fear and the will to survive would always be more powerful than attachment. I could only love in a limited way
If I thought about planning, I'd plan movies. If I thought about planning my life, I'd plan my life more rationally, not like New Yorkers who live their lives so irrationally, without reason. Maybe that's the connection between my movies and New York: the movies have the same kind of lack of overall design.
Ownership is not limited to material things. It can also apply to points of view. Once we take ownership of an idea - whether it’s about politics or sports - what do we do? We love it perhaps more than we should. We prize it more than it is worth. And most frequently, we have trouble letting go of it because we can’t stand the idea of its loss. What are we left with then? An ideology - rigid and unyielding.
I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else.
I think my idea of God was much more directive than my idea of God now, that is, a God who had one plan in mind for me, perhaps, and my job was to find out what it was and obey.
There's nobody who loves being around actors working more than David Mamet, especially actors bringing his tremendous dialogue to life. I've never seen a movie director who was happier to be directing a movie than Dave.
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