A Quote by Christian Boltanski
In science we see progress. In art there is no progress. In art the questions have always been the same. From the beginning of time till now, we are always asking the same questions. There are very few. We are looking for God, we are asking why we die, we are contemplating sex and the beauty of nature. The only thing that changes is that, in each period of questioning, we speak with the language of our time.
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I've always been into asking the big questions; I'm the last guy out the door at closing time cuz I was sittin' around 'til the wee hours with the other ones who were asking the same things.
If you don't put the spiritual and religious dimension into our political conversation, you won't be asking the really big and important question. If you don't bring in values and religion, you'll be asking superficial questions. What is life all about? What is our relationship to God? These are the important questions. What is our obligation to one another and community? If we don't ask those questions, the residual questions that we're asking aren't as interesting.
When you stop learning, stop listening, stop looking and asking questions, always new questions, then it is time to die.
In a way, math isn't the art of answering mathematical questions, it is the art of asking the right questions, the questions that give you insight, the ones that lead you in interesting directions, the ones that connect with lots of other interesting questions -the ones with beautiful answers.
Every time I ask questions about sex, I always end up asking questions about death.
What we observe is not nature itself but nature exposed to our method of questioning. Our scientific work in physics consists in asking questions about nature in the language that we possess and trying to get an answer from experiment by the means that are at our disposal.
In the final analysis, the questions of why bad things happen to good people transmutes itself into some very different questions, no longer asking why something happened, but asking how we will respond, what we intend to do now that it happened.
It's the same questions we ask of our existence, and the answer is always the same. The mystery lies not in the question nor the answer, but in the asking and answering themselves, over and over again, and the end is engendered in the beginning.
The question is absurd: when you ask, 'If God is both all good and all powerful, why then does He allow suffering?', what you are really asking is, 'If God is both all good and all powerful, why then can He not make me (the questioner) - who is just as much a part of a universe in which there is suffering as is any other part - be at the same time the exact same questioner, but one who is now part and parcel of a universe in which there is no suffering?' Which, reduced down, is the same thing as asking, 'Why can there not be, at the same time, X and the preclusion of X?'
Art can end up answering questions or asking questions. But when it's not connected to actual movements, it doesn't ask the right questions.
At the Third Wave Foundation, we were asking questions like, "How can we get more voters registered who support our issues?" or "How do we want to give away of money so that it has the greatest impact?" But, the poems were involved in questions of feeling whole, negotiating sexual trauma, and speaking to what has been lost forever. I've always been a person who feels most energized when I am both creating art and working toward social change, but I often have difficulty talking about the two in the same breath.
Education ent only books and music - it's asking questions, all the time. There are millions of us, all over the country, and no one, not one of us, is asking questions, we're all taking the easiest way out.
We have a word game in English called "Twenty questions." To play Twenty Questions, one player imagines some object, and the other players must guess what it is by asking questions that can be answered with a "yes" or a "no." I imagine every language has a similar game, and, for those of us who speak the language of science, the game is called The Scientific Method.
When I was in school, they say everybody can do art. And I was, like, a little bit obstinate - not an anarchist, but I was always asking questions. I said, 'Isn't art supposed to be difficult?' If we can all do art, then it's not really art. It's supposed to be difficult.
I also like to look at the dynamic that takes place between religion and science because, in a way, both are asking the same questions: Who are we? Where do we come from? Why are we here? Where are we going? The methodologies are diametrically opposed, but their motivation is the same; the wellspring is the same in both cases.
Designing a winning strategy is the art of asking questions, experimenting and then constantly renewing the thinking process by questioning the answers. No matter how good today's strategy is, you must always keep reinventing it.
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