A Quote by Christian Cage
TNA has been great as far as allowing me to have more input creatively on my character and the direction of my character and promos.
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Perhaps because my background is theatrical, I have a great affinity with the classics. Hamlet has always been a character of great interest to me and a character I would really love to play. Or a character in a Tennessee Williams play, maybe Tom in 'The Glass Menagerie.'
Everything of mine which has been filmed so far has been one character short, and that character is me.
Even though the 'Shooter' character on TV is so close to the real-life me, I'm still playing with ways to creatively portray that character.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
I must confess that the original 'Pretty Woman' was terrific and a hit, but I always felt that creatively I didn't do justice to Richard Gere's character. So in the musical, we have some great new moments for Richard's character.
My character's kind of grown up with Katniss. The beginning of the story, they're more or less brother and sister than anything. They're best friends. They've been keeping each other alive. It's a little frustrating, for the character. As the character, not as me.
I have always been a big fan of the character and am more of a moviegoer than a comic book guy, there is always something about the character of Batman that is very elemental. There is a great powerful myth to the character and romantic element that draws from a lot of literary sources
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.
When I was just a strong wrestler, TNA didn't use me. I didn't have a character, so I knew I needed one.
The ability to stretch my range into all genres and characters is something I take great pleasure in doing. I thoroughly enjoy it. I consider myself a character actor, though some think of me as a leading man. As an actor, I love shifting gears from character to character, and the more range I can expand, the better.
In other words, character is far more important than intellect to the race as to the individual. We need intellect, and there is no reason why we should not have it together with character; but if we must choose between the two we choose character without a moment's hesitation.
Every character thinks differently, and every character has a different energy and way that they tick. But to find a character like Kai, who is so far that he doesn't even feel things, he is so different from me. That is the most exciting part.
I must say Steven Spielberg was great to me, and I loved working with him. He called me up on the phone and was like, "I want you to be in this movie - 1941. There are a couple of parts. You can take whichever one you want. One of them is a main character who is involved in everything, and there's another character who has his own storyline and goes off on his own. He's probably the funnier, more unique character." I said, "Well let me do that second one."
The chance to play a romantic character who kisses somebody onscreen was one of the elements that made me want to do 'The Stand.' The more you can do, the better, and I've been known as a character actor.
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