A Quote by Christian Cage
With The Brood, it was cool because it had the music, it had the different look and at the time reality-based characters were really starting to take the forefront as opposed to the cartoon character stuff that you'd seen in the past. We were already into the Attitude era. It was kind of a gimmick, but it was a cool gimmick. It wasn't corny.
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Rule No. 1 is you can't be fake. If you're fake, you become a gimmick and you're selling a gimmick; a little gimmick is cool, this is entertainment. But when you base your stuff on mostly real stuff, you never run out of it because every day is a different adventure.
We had a wonderful time with this kind of grunge awareness, where suddenly rock was cool again. People wanted to head loud guitars. It was a great time, and I'm glad we were there. But the gimmick part has worn off.
If you look back on the period, the 1980s has never been seen as cool. You think of the music, and it always has a kitsch quality to it because everyone looks so ridiculous. Even the Nineties, with The Stone Roses and other bands, was cool before the Eighties. It really missed the boat! The Sixties was always cool, even then. That was my Dad's era and I was always jealous of that. But now, as an adult, looking back, we were part of this mental time. It was the most enormous amount of tribes that could have ever existed in one place.
Luther Vandross was doing fine, but he said, "Man, I want to do my own project." So he got us all to do a demo, and that demo was "Never Too Much." It took him a year and a half to get signed, because he didn't have a gimmick. The record companies were looking for his gimmick. They said, "What's your gimmick?" He said, "I sing. That's my gimmick." Anyway, he finally got signed and the record was released, and the rest was history.
I had a couple of really cool friends when I was a kid, and we'd find cool music and movies and show them to each other. My friend Dennis had a copy of 'A Clockwork Orange' and he'd already seen it once, and he was like, 'We need to watch this.' I was sleeping over his house - and I think we were literally 15 - and we watched it.
The band that I was I auditioning for, they were just all like, dreads and stuff, so I did look kind of out of place. But I had learned the material and it sounded cool as f**k when we were rehearsing.
I think I was lucky to be a little older when I became famous. But still, the shock of the world starting to treat you in a weird way... I had come from the army, where we had to deal with life or death, and suddenly, people were asking whether you were cool or not. I have never cared about whether I'm cool.
For me, I was really struggling because I was Scott Hall in the gym and Scott Hall in the grocery store and in the ring. Until I got a gimmick, a look, and got to be a character, that's when I started making strides. As Scott Hall, I didn't have a gimmick, so I didn't know what to do.
One match that really sticks out for me, there's a bunch of matches with all the guys that I worked with. For me, when I got in the ring, I approached it as being real because I was a real character. I didn't have a gimmick name; I didn't have a gimmick finish.
Having read the source material, I had to have drawn from that. As a fan, I wanted to remain true to that character, but it was really cool because, as we were figuring these characters out, I realized that there was a lot more backstory, rather than what I had gotten just from reading the book. Glenn doesn't really get much of a backstory there. He's just seen as this kid who is put in this situation, not knowing where his mind-set is, but then you slowly see him start to develop.
I wouldn't say I really admired anyone. When I was a kid, there were definitely a lot of tough guys, but they weren't really cool. If anything, that was an influence on me: to take that toughness and combine it with the cool style, the cool entrance, the cool gear - and driving to work in a Ferrari.
I obviously love those characters ['The Avengers'] with my whole heart. I was on a one-man "Luke Cage is cool" campaign for most of the Aughts. When we announced the New Avengers line-up, and Luke Cage and Spider-Woman were there, a lot of fans went, "WHAT?!?!?! Bulls--t!" And I had to prove myself. They were right: I can't just announce they're cool. What's less cool than that? I have to show that they're cool! But this is way farther than I ever thought it would go.
They had some really cool rigged cars and things that were different that they would tow behind the camera car that were actually on these trailers that manipulated side to side and stuff like they were getting hit, and actually put the actor right in the middle of the chase.
My role in 'Legally Blonde' was really rewarding, because I had so much fun working on the movie. I've had really rewarding experiences on tiny low budget films that you'll never see but where I had a cool time creating characters as well. I love almost all of the characters I've played.
And now I was seeing that there was something really cool about that family. All of them. They were just...real. And who were we? There was something spinning wickedly out of control inside this house. It was like seeing inside the Baker's world had opened up windows into our own, and the view was not a pretty one. Where had all this stuff come from? And why hadn't I ever seen it before.
I'd like to think that I don't have a stock character that I go to. I'm lucky in that when you get to initiate your own scene, you get to play whoever you want. That's really kind of cool, but all my characters are short. I look on the videotape, and I thought they were taller, but they're all 5'2".
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