A Quote by Christian Cooke
So many directors these days direct by design and shoehorn you into things - direction or blocking - that they had in mind previously. They're short on time and they want to get that over with so they can get onto the finer details of a play.
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I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.
I originally had opened the studio in New York to combine my two loves, music and design. And we created videos and packaging for many musicians that you know, and for even more that you've never heard of. As I realized, just like with many, many things in my life that I actually love, I adapt to it. And I get, over time, bored by them.
Without defeats, how do you really know who the hell you are? If you never had to stand up to something - to get up, to be knocked down, and to get up again - life can walk over you wearing football cleats. But each time you do get up, you're bigger, taller, finer, more beautiful, more kind, more understanding, more loving. Each time you get up, you're more inclusive. More people can stand under your umbrella.
If you have a large number of unrelated ideas, you have to get quite a distance away from them to get a view of all of them, and this is the role of abstraction. If you look at each too closely you see too many details. If you get far away things may appear simpler because you can only see the large, broad outlines; you do not get lost in petty details.
The trouble with everything, these days, for me, is time. There is only one me. There are a ridiculous number of demands on my time. There are so many things I'm trying to do. It's so much more about when I'm going to get time to do it, if I get time.
Being an actress, I want to play people that are not like me or the characters I've previously played. It's easier to get roles if you play a certain type of character but I don't want to do that.
The playing ground is so uneven, and there have been so many straight characters for such a long time, and so many gay actors that have had to hide their sexuality to get the parts they want to play.
When I was younger, I didn't have the finer things in life. It was around me - the cars, the jewelry and all of that. But I didn't have it. So I did bad things to get what I wanted. Going to jail never crossed my mind. I wish it had. When I was locked up, my mother didn't support me because she couldn't accept who I was and where I was.
We are told No, you're unimportant, you're peripheral - get a degree, get a job, get a this, get that, and then you're a player. You don't even want to play that game. You want to reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that's being manufactured out of the bones of a dying world.
One of the things that happens to everyone who is grief-stricken, who has lost someone, is there comes a time when everyone else just wants you to get over it, but of course you don't get over it. You get stronger; you try and live on; you endure; you change; but you don't get over it. You carry it with you.
After high school, I earned a scholarship to play Division I soccer at a small school in North Carolina, but I didn't get much playing time, which forced me to determine who I was beyond the field, something I had previously never had to do.
Time's passage through the memory is like molten glass that can be opaque or crystalize at any given moment at will: a thousand days are melted into one conversation, one glance, one hurt, and one hurt can be shattered and sprinkled over a thousand days. It is silent and elusive, refusing to be damned and dripped out day by day; it swirls through the mind while an entire lifetime can ride like foam on the deceptive, transparent waves and get sprayed onto the conciousness at ragged, unexpected intervals.
There's so much to benefit from being able to control your mind in certain situations and it just keeps you even-keel all the time when things are going well and when they're not. That's one thing that I've always had a bit of a tough time doing. When I get up, I get excited. When I'm down, I get pretty frustrated.
I started off as an Australian model. I had so many knockbacks, having short hair and being rejected, and I always thought: I'm never gonna get to where I want to get unless I start looking more feminine.
I think and visualise before I play where people are likely to bowl to me and where I am likely to score and try to picture fields that are set and play things over in my mind, where I am going to get runs and how they are looking to get me out.
Being known as a writer did change the relationships I had with directors. The rap on actors is that they always want to inflate their parts. But when directors know you write screenplays and have a different view of things, you really get invited into the huddle in a much fuller way. And those collaborations end in friendships.
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