A Quote by Christian Cota

I wanted to paint with shadows and capture what light would look like in clothes. — © Christian Cota
I wanted to paint with shadows and capture what light would look like in clothes.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
But would you kindly ponder this question: What would your good do if evil didn't exist, and what would the earth look like if all the shadows disappeared? After all, shadows are cast by things and people. Here is the shadow of my sword. But shadows also come from trees and living beings. Do you want to strip the earth of all trees and living things just because of your fantasy of enjoying naked light? You're stupid.
A background can be painted in the same range of values as the foreground by reversing the light effect. In the shadow plane, paint the lights cool and the shadows warm, and in the sunlight plane, paint the lights warm and shadows cool.
I wanted to paint a picture some day that people would stand before and forget that it was made of paint. I wanted it to creep into them like a bar of music and mushroom there like a soft bullet.
The thing about shadows is that they're not all darkness. You need to have light to have shadows. So just look for it.
For human words are like shadows, and shadows are incapable of explaining light and between shadow and light there is the opaque body from which words are born.
As a kid, I wasn't allowed to have girl toys, but I would take my cousin's My Little Pony and smell it. That weird, synthetic, fruity-sweet smell - that's how I wanted to look. I wanted to look like this fabricated toy. I wanted to look like you could pull a string on my back, and I would say, like, six catchphrases.
Light in the heart has an interesting phenomenon. When you look at this world from here, now, light has shadows because light comes from a source. But, the same light inside the heart, which I've spent so much time looking at and so have other people, has no shadow because the light appears to come from everywhere.
In the 18th century, if women wanted to travel and they dressed as a man, people would not look twice. Your clothes said everything. Also there were masters and servants swapping clothes. You could be anything, your clothes told everything!
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.
Look, if you had one shot, or one opportunity. To seize everything you ever wanted in one moment. Would you capture it or just let it slip?
You pronounced your words as if you don’t acknowledge the shadows, or the evil either. Would you be so kind as to give a little thought to the question of what your good would be doing if evil did not exist, and how the earth would look if the shadows were to disappear from it?
All four winds together can't bring the world to me Shadows cast a play of light, so much I want to see Chase the sun around the world, I want to look at life-In the Available Light. I'll go with the wind, I'll stand in the light.
I had the global outlook that I really wanted to capture the world. I would like the attention of the world at least and I wanted that.
I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.
What would your good do if evil didn't exist, and what would the earth look like if all the shadows disappeared?
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