A Quote by Christian de Portzamparc

Architecture has a strong link with the movies in terms of time progression, sequencing, framing, all of that. — © Christian de Portzamparc
Architecture has a strong link with the movies in terms of time progression, sequencing, framing, all of that.
Architecture is bound to situation. And I feel like the site is a metaphysical link, a poetic link, to what a building can be.
We owe a lot when it comes to women in terms of innovation, in terms of education, in terms of progression in life.
When you play guitar you are drawing a frame around a moment and saying to the listener, 'Here is how I want you to experience this. How you begin and end a solo is framing, How you structure a song is framing, how you present yourself onstage is framing. See every corner, not just the center, framing should heighten the impact of the art and give clarity to your vision.
It's not difficult in South Africa for the ordinary person to see the link between capitalism and racist exploitation, and when one sees the link one immediately thinks in terms of a socialist alternative.
My favorite record of all time is Tom Petty's 'Wildflowers.' I hold it as the standard - in terms of sonics, sequencing, and songs. It shows that making a complete record is important, rather than just making a single.
If something produces an undue amount of pleasure or undue amount of displeasure, it's going to be judged differently and it's going to be introduced in your narrative with a different size, with a different development. So that is the next element to superimpose on the sequencing element. And in fact, that element is so powerful that very often it can trump the sequencing event, that the sequencing aspect.
During this period, I became interested in how the new techniques of cloning and sequencing DNA could influence the study of genetics and I was an early and active proponent of the Human Genome Sequencing Project.
Architecture is involved with the world, but at the same time it has a certain autonomy. This autonomy cannot be explained in terms of traditional logic because the most interesting parts of the work are non-verbal. They operate within the terms of the work, like any art.
I think a way to behave is to think not in terms of representative government, not in terms of voting, not in terms of electoral politics, but thinking in terms of organizing social movements, organizing in the work place, organizing in the neighborhood, organizing collectives that can become strong enough to eventually take over - first to become strong enough to resist what has been done to them by authority, and second, later, to become strong enough to actually take over the institutions.
All important architecture of the last century was strongly influenced by political systems. Look at the Soviet system, with its constructivism and Stalinism, Weimer with its Modern style, Mussolini and, of course, the Nazis and Albert Speer's colossal structures. Today's architecture is subservient to the market and its terms. The market has supplanted ideology. Architecture has turned into a spectacle. It has to package itself and no longer has significance as anything but a landmark.
Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
When you're choosing the track list and the sequencing, it's important to make sure that there's some strong concepts on there and that it matters and it says something... that it sticks with people.
I had a really regular progression--and this is really pleasant, I think--because I had small parts in TV movies, then bigger parts in TV movies, and then small parts in films. And I think this allows you to get...experience of the set and to get familiar with [the process]. And as I had a really slow progression, I think it really helped me to stay lucid and not get carried away.
Hal Holbrook was in one of my first television movies when I was about 18 or 19. He'd made such a strong impression on me and a lasting one in terms of what being an actor was.
Sequencing is a really big factor in preparing for a team that you've faced several times. For me, at the end of the day, I feel like if I execute, regardless if I were to use same sequencing as I have in the past against these guys, I still feel confident in my ability to have success.
I am ever mindful of the legacy of my grandfather, the founder of this Kingdom, who had said to me that he perceived his life as a link in a continuous chain of those who served our nation and that he expected me to be a new and strong link in the same chain.
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