A Quote by Christian Dior

I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape. — © Christian Dior
I wanted to be considered a good craftsman. I wanted my dresses to be constructed like buildings, molded to the curves of the female form, stylizing its shape.
I was the good Bond girl, but I wanted to have the dresses and the high heels. I wanted the funky, sexy name.
That's what I wanted! I wanted to be an athlete, I wanted the girls to like me, and I wanted to be able to get good grades in school, and this man said I could do all that.
I couldn't wait to be an adult woman, and I'm glad I felt that way as a kid because, when I grew up, I realised I live in a world where the female form is really disrespected, and society is often trying to wrestle the female form into a shape that looks more like a young boy.
'Hear My Heart' was constructed with the deaf in mind. I wanted a bass line that felt like a heartbeat. I wanted to be able to touch the speakers and feel a clear sense of rhythm.
I wanted to do everything right. I wanted to be good, and I wanted to be obedient, and I wanted to be the object of my parents' pride. I wanted to go to Heaven.
I knew very early what I wanted to do, and I considered myself lucky to know that's what I wanted, even in a place like Saint Lucia where there was no publishing house and no theatre.
I have not wanted to intimidate audiences. I have not wanted my dancing to be an elitist form. That doesn't mean I haven't wanted it to be excellent.
I always wanted a father. Any kind. A strict one, a funny one, one who bought me pink dresses, one who wished I was a boy. One who traveled, one who never got up out of his Morris chair. Doctor, lawyer, Indian chief. I wanted shaving cream in the sink and whistling on the stairs. I wanted pants hung by their cuffs from a dresser drawer. I wanted change jingling in a pocket and the sound of ice cracking in a cocktail glass at five thirty. I wanted to hear my mother laugh behind a closed door.
I wanted the past to go away, I wanted to leave it, like another country; I wanted my life to close, and open like a hinge, like a wing, like the part of the song where it falls down over the rocks: an explosion, a discovery; I wanted to hurry into the work of my life; I wanted to know, whoever I was, I was alive for a little while.
he used to think that he wanted to be good, he wanted to be kind, he wanted to be brave and wise, but it was all pretty difficult. He wanted to be loved, too, if he could fit it in.
God knows I wanted love... but the moment I had to choose between the man I loved and my dresses... I chose the dresses
When I created Buffy, I wanted to create a female icon, but I also wanted to be very careful to surround her with men that not only have no problem with the idea of a female leader, but were in fact engaged and even attracted to the idea.
Well, obviously I wanted it to sound as original as possible. I suppose the influences that we had were probably from the actual power point of view we wanted to be like the Who. Vocally we wanted to be like the Beach Boys, whatever was good at the time.
I wanted to be a musician. I wanted to be a superstar. I wanted to be on stage. I wanted to perform. I wanted to be in movies. But as you grow up, those dreams kind of fade away, and you're hit with reality, and you're like, 'Oh, not everyone can be Lil' Bow Wow?' Fine.
I knew I was ambitious; I knew I was passionate and that I wanted to change the world in some shape or form, but I had no idea what that might look like.
I wanted to be an architect. I used to draw houses and buildings and construct buildings on my own.
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