A Quote by Christian Finnegan

Basically, I got into stand-up because I'm too egocentric to be an actor and not disciplined enough to be a writer. — © Christian Finnegan
Basically, I got into stand-up because I'm too egocentric to be an actor and not disciplined enough to be a writer.
But long story short, I didn't start doing stand-up because I wanted to have a TV show or be an actor or even wanted to write sketch comedy. I got into stand-up because I love stand-up.
?It isn't enough to stand up and fight darkness. You've got to stand apart from it, too. You've got to be different from it.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
I love stand-up. I look at it as a way to always stay productive. I couldn't imagine only being an actor or a writer. Because what the hell do I do when I'm not working? Mope?
I dreamed of being an actress when I was a little kid because you don't know then that the writer writes everything the actor is saying. But as I got older, I got into college and became more aware that writing is another option, and I started getting into it, too.
I think youve got to work out what makes you happy. With me, its that I do lots of different things. So Ive got this rather odd career whereby Im not really a stand-up and Im not really an actor and Im not really a writer. But I do them all.
I've always called myself a writer/performer, not an actor because I basically write what I perform.
I had been skating basically since I could walk. I started on my knees and would cruise around the local skatepark until I got comfortable enough to stand up. As soon as I went down my first ramp, I was addicted.
I'm not disciplined enough to be a writer consistently. I write when I have to.
An actor's life is all about rejection. It's you they don't want; it's you who's too tall or too short or too fat. With stand-up, it doesn't matter what you look like.
When I hear about some sensational new writer I sort of think, Shut up ... you've got to be around for a long time before you can really say you're a writer. You've got to stand the test of time, which is the only real test there is.
I liked horror and comedy, basically, from a young age, but I just ended up getting into comedy because there was - I could do stand-up comedy, and that was my way into this business, and then there was no stand-up horror, and I didn't know how to get into that world.
I got into stand-up because I love stand-up. Specifically in stand-up, I love jokes. I love short, structured ideas and a punch line.
I got into stand up just to do stand up because I love stand up.
The idea is not enough. And the most annoying thing for me as a writer is that people will come up to me and say, 'Hey, I've got a great idea for a book. I'm not a writer, but I've got a great story.'
If you can't fail then how can you possible develop as a communicator or as a creator of anything? We are locked into a deeply unhealthy notion that somehow you've got to succeed all the time. An appalling notion. Any painter or writer will tell you that that is no way to proceed. One of the things that will kill off a decent actor, especially a young actor early on and they will never recover from it, is too much success. It's disastrous. You stop being criticized, therefore you stop challenging yourself. You then can't afford to fail because there's too far to fall.
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