A Quote by Christian Finnegan
I've always prided myself on being able to perform in the "alt-comedy" zone, but also being able to do comedy for people who aren't media-saturated, and maybe don't have the latest Dan Deacon album. I probably won't be the most popular guy at Zanies in Nashville, and I'll never be the coolest dude at Largo, but I like that I can swim in both those waters.
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I always prided myself on being apart from the ruling class. I think it's always important, not just in Washington but in life, to be able to able to balance your sense of belonging with what it's like to be someone who doesn't belong.
I think it's being able to do both, obviously being able to play your role in the team and those responsibilities but also being able to have that freedom... to express yourself in the way that you play.
I've talked to a lot of other women in the field of comedy and none of us feel like being a woman has been a barrier to success in our lives. I can't claim to feel like I've been under some man's thumb in comedy. I've sort of always done my own thing for better or worse, and have been lucky enough to be able to perform ever since. So I'm not surprised by all the articles, but I don't know if it's necessarily true. It's not like we haven't been around.
I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
I had my own insecurities, which a lot of my comedy would come from, about not being able to live up to their academic expectations. Acting out those insecurities was a way of confronting them, like, “Let me just lean into being a guy who can’t read or write.”
I have always prided myself on being able to speak my mind.
Being able to tour and experience all of the stuff that comes from touring, and then being able to come back to Nashville, it's almost like therapy to be able to get into a session and talk about all of the things that I'm going through. It's so much more real to me.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama, and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
At its best, alt comedy can be challenging, surprising, and innovative. And at its worst, alt comics think that being awkward.com/FAQS is a substitution for punchlines.
I really try to keep it hip-hop oriented. For me, that's high energy - people being able to dance, being able to vibe out - but with an ethereal factor. When I perform, I'll have a guy doing live visuals for me or I'll have a guitarist playing a lot of solo, really heavy reverbed vibes and stuff like that.
Comedy comes from tragedy, and being Iranian in America from 1979 on had been quite tragic. In stand-up comedy, I was able to take the reality and exaggerate it.
I pride myself on being the guy who can do Def Comedy Jam and Charlie Rose. And do well on both.
I think, in any profession, what you fear most is not being able to perform, about not being able to meet new challenges. The fear of non-acceptance, particularly if in creative art. What happens if the audiences do not like you anymore!
I was scared of failure, of being a one-hit wonder, never being able to write another song again, never being able to sing again. Maybe everything that I think I am and who I want to be never will happen.
I think most people don't really understand all that it takes to stand on your toes, and to be able to jump and land without any noise, or for a male dancer to be able to lift a girl. All of these things look so effortless, but there's an attention to detail and years of training, as well as being able to transform into a character and being able to meld all of those things together.
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