A Quote by Christian Horner

Personally, I would go back to V12s, which make a tremendous noise, and have open cockpits and make the drivers heroes again. — © Christian Horner
Personally, I would go back to V12s, which make a tremendous noise, and have open cockpits and make the drivers heroes again.
You can't make yourself be compassionate, you can only keep stepping back and becoming a larger container in which compassion wants to live. The practice should open us up, and crack open our hearts again and again.
Personally, I would rather climb in the high mountains. I have always abhorred the tremendous heat, the dirt-filled cracks, the ant-covered foul-smelling trees and bushes which cover the cliffs, the filth and noise of Camp 4 (the climbers' campground), and worst of all, the multitudes of tourists which abound during the weekends and summer months.
There are simple things which would make sense. Take, say, weatherization, which would make a big cut in the unemployment rate. That's the kind of work that plenty of people are quick to do, and it would save individual households money, and it would make a significant reduction in the threats of climate change. But something is holding it back: the sociopathic character of market systems.
Next year, Equality Now will celebrate - if that’s the word - will clock its twentieth year. Two decades of fighting the good fight, fighting the cause, and in case I haven’t been the clear, the cause is that one half of the human race is given the same basic equal rights that the other half enjoys. Or, not given. Given back. That is not a milestone, twenty years, that I intend to go unnoticed. I want to make some noise. I want to make a joyful noise, I want to make too much noise. I want the neighbors to complain. I’m tired of being polite about something that matters so much.
I really like the idea of music when it has form and then sort of loses its form, or becomes noise, and then comes back again... That's how I think of it: structure turning into noise and coming back around again.
Where I went off, you can get back on the track by going through the support race pitlane, but you have to go through a gate. I know this as I did the same thing in 2001 and the gate was open that year. Somebody closed it this time. Next year, I'll make sure it's open again...
I rolled back onto the lawn and pressed my forehead to the ground again and made the noise that Father calls groaning. I make this noise when there is too much information coming into my head from the outside world. It is like when you are upset and you hold the radio against your ear and you tune it halfway between two stations so that all you get is white noise and then you turn the volume right up so that this is all can hear and then you know you are safe because you cannot hear anything else
I joke and I say, 'I need to go back to make a supernatural horror film just to so that I can make a movie that's grounded again.'
You have to make sure you have a relatable emotion through the movie. You have to check your ego and go into a territory and recognize that nobody knows you. You go back again and again, and by the third time, you are a star.
There's tremendous spirit about make America great again. I mean that's the whole thing. We're going to make America great again.
You have to make enough noise to be cast in the right films, and the best way to make that noise is to do lots of good work.
You hear again and again that audiences want to see movies that are different, and critics say we make the same thing again and again in Hollywood, then you go and make something different, and you get kicked in the gut for it.
You hear again and again that audiences want to see movies that are different and critics say we [directors] make the same thing again and again in Hollywood, then you go and make something different and you get kicked in the gut for it.
I was never good at hide and seek because I'd always make enough noise so my friends would be sure to find me. I don't have anyone to play those games with any more, but now and then I make enough noise just in case someone is still looking and hasn't found me yet.
There is a blueprint that young female singers seem to follow to make it, to make some noise when they first come out. And it's a hyper-sexualized persona. And the thing is that it works. And they do make noise. But the problem is if it's not authentic to you, then you're trapped in that persona. And you have to live that persona 24/7.
Again and Again, however, we know the language of love, and the little churchyard with its lamenting names and the staggeringly secret abyss in which others find their end: again and again the two of us go out under the ancient trees, make our bed again and again between the flowers, face to face with the skies
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