A Quote by Christian Lacroix

Since I was a child I've loved going to the opera, theatre and ballet. — © Christian Lacroix
Since I was a child I've loved going to the opera, theatre and ballet.
The minute we don't finance the arts, the accountants, attorneys and politicians keep taking the cream of money off the top and it doesn't trickle down unless all of society understands that we must support the arts, whether it's ballet, opera, fashion. Fashion is like opera, is like ballet, is like theatre. It's a visual theatre.
It's very difficult for me to do fund raising for my own organization if I'm working for other companies because sponsors will say, 'Well, hey, man, if she's doing a ballet for Ballet Theatre, we'll give money to Ballet Theatre.'
Cricket is first and foremost a dramatic spectacle. It belongs with theatre, ballet, opera and the dance.
Theatre can transform a child's life, just as an early cultural experience whether with opera, ballet, music or art is a wonderful thing because it opens the door to a life-long experience, a life-long enjoyment.
When I was very young I wanted to be an opera singer, a ballet dancer... The people I loved were a little different.
I was 6, and I was in the opera 'Carmen.' My dad sang opera and got me into the children's chorus. I was super fat at the time and didn't make eye contact with anyone. I knew I loved acting ever since.
I did ballet from the age of five, but what I loved was my gymnastics. I kept the ballet going because of the gymnastics, then found I was going to be too tall.
I am grateful to theatre for making me what I am today. But it's not like theatre is my first love. I am equally attached to cinema, which is, actually, a child of theatre, since it borrows heavily from it.
We tend to forget that in those days before the Internet and HBO and Imax and 3-D cinema, opera was the thing. Opera and theatre. If you were a man of the world and you mingled among the happy few, you would be at the opera.
Fitness has been a part of all my life since I was a young child. I started dancing ballet and doing yoga when I was three, before stopping ballet at five to start playing soccer and tennis instead. That lasted until my early teens.
As a child, I was always making sound; it was a compulsion. I loved to scream and yell and sing; it freed me from all the thoughts in my head. I begged for opera lessons because opera singing is the most formidable, most emotional way to use your voice.
All of our lives are enriched by our culture, from blockbuster films, best-selling video games, independent music, and internationally-renowned museums and art collections, to theatre, opera, ballet, literary festivals and performance poetry.
While I was in Astana, a ballet master from St. Petersburg's Mariinsky Theatre staged a performance of 'Giselle' in the opera hall. It was one of only a few performances to grace Astana's concert spaces in many weeks, and tickets were impossible to come by.
I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera.
When I was 8, I began to study ballet. In seventh grade, my mother took me into New York to study at the School of American Ballet. I loved ballet - its precision, the escape from uncertainty, and the music.
I think American Ballet Theatre is setting that standard now for classical ballet, that you can dream big, and it doesn't matter what you look like, where you come from, what your background is.
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