A Quote by Christian Lacroix

They say that the best furniture and clothing design from the '50s and '60s is Scandinavian or Milanese. — © Christian Lacroix
They say that the best furniture and clothing design from the '50s and '60s is Scandinavian or Milanese.
I was born in the '50s - 1951. So I grew up during that part of the '50s when everything was supposed to be at its best in America, they claimed, and then eased into the '60s.
I love French auto design of the early '50s, '60s, early '70s of Citorens, Renaults, and Peugeots. They're so unique.
I really liked the design aesthetic of the mid-century modern for furniture and the early '60s stuff for the clothes. But then, personally, I'm a huge fan of 1970s muscle cars. Cell phones is just a laziness thing because it's so much easier to have somebody have a cell phone than have to go to a phone booth. So we're sort of, I guess, cherry-picking the best and easiest from several decades.
To my surprise, my 70s are nicer than my 60s and my 60s than my 50s, and I wouldn't wish my teens and 20s on my enemies.
I just want that someone in their 50s or 60s, when they talk about Brian Lara, they say 'I enjoyed watching that guy playing cricket.'
The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence. I feel like people on the street today probably dress better than they did in the '50s.
An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.
In a way, all Scandinavian movies are descendants of the original Scandinavian Christian-metaphor movie, Danish director Carl Dreyer's 1928 'The Passion of Joan of Arc,' one of the seven or eight best films ever made and impossible to watch more than once.
Men are able to sustain a career into their 50s and 60s and still present themselves as sex symbols. With women, on the other hand, people say, 'Why doesn't she retire?'
To design a desk which may cost $1,000 is easy for a furniture designer but to design a functional and good desk which shall cost only $50 can only be done by the very best
When I go to small races in Denmark, it's what I imagined what F1 would have been like back in the 60s and 70s. After the 70s it became a bit different. But 50s and 60s at least, people were only there because they love it.
I truly believe that we're about to enter a second golden age of design. The first one was in the '50s and '60s, when designers like Raymond Loewy, Charles Eames, George Nelson and Dieter Rams were shepherds of the brands they were working with. They had influence over the products and how companies communicated and promoted themselves.
The maker movement is about people who want to gain more control of the human design world that they interact with every day. Instead of accepting off-the-shelf solutions from institutions and corporations, makers would like to make, modify, and repair their own tools, clothing, food, toys, furniture, and other physical objects.
If I had one wish, I would say to be born in the '30s and be young in the '50s and '60s. It hurts my racing heart when I see things so far from what it was back then. I envy those guys so much.
I know what I am doing with my handbag design and clothing design.
When we say "people worry" about inflation, it's mainly bondholders that worry. The labor force benefitted from the inflation of the '50s, '60s and '70s.
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