A Quote by Christian Lacroix
Going out in Paris was like going out in the '30s dressed like the Andrews Sisters. It was everything I'd seen in books at my grandparents' house, only it was our generation.
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The heart of Paris is like nothing so much as the unending interior of a house. Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
Of course there are a lot of books that are interesting to make movies out of, but on the other hand, I think video games are also kind of like bestselling books for the younger generation, and the younger generation is the one going to the theaters.
It's our job - as parents, grandparents, aunts, uncles - to find books our kids are going to like.
Growing up, I didn't have any comic books, at all. But my friend had a trunk full of them, so comic books were like candy for me. I would go over to his house for a sleep-over, and I would just be devouring everything I could get my hands on. I knew the sleep-over was going to be over, and I was going to go back to my house and it was going to be Kipling.
In your 20s, you are worried about body issues, your weight, how you are dressed. In your 30s, you're like, 'Oh my God, I am getting old. I am going to enjoy everything.'
T.S. Eliot's influence was enormous on my generation. Much more than Ezra Pound. I actually had to put T.S. Eliot books out of the house because my poetry was so influenced. Everything I wrote sounded like Eliot.
My real fear with fighting is just not letting it go out there and hang out. I don't fear other guys. I'm just scared I'm not going to go out there and give everything I have. Like I'm only going to give a fraction of the things we trained and worked on.
It definitely wasn't like, 'Hey, I'm going to steal that, and nobody's going to know.' The original 'T.R.O.Y.' came out in 1992, and it was like a 20th anniversary kind of thing. All of those intentions were there for it to be resurrecting a classic for a new generation. I tried to honor it.
I have a picture of all of us going to a club with my friends from 'Soul Train.' All the girls just going out to a nightclub, and we're all dressed like we were dressed on 'Soul Train.' It was the most surreal experience for me because I walk into the club with them, and people started screaming. 'Oh my God! It's the 'Soul Train' dancers.'
I don't know where everything is going, but I'm pretty confident that people like books - the objects. So I'm going to go on that -they're not going to disappear.
I create my own schedule, so you start out each day and you say, "Okay, from 10 to 11 I'm going to write," and on the dot at 10, I went downstairs, got dressed like I was going to work, and at 11 I stopped. I don't know why, what kind of wizardry about that worked, but having the structure for a month, I was dishing out songs.
I hope they're going to learn, and as a result of our response, that it isn't going to work. They're not going to change our life, they're not going to have us throw out our Constitution, and they're not going to chase us out of the Middle East.
I started making work, and it's like, yes you are calling out all of these things that are part of your memory, your body's memory, things that have gone through your pores, what you've seen, what you've experienced, and you spill them out without thinking. I don't think so much about, "Okay, I'm going to make work, and it's going to be about this." It's just going to come out.
My gut is so strong. I feel like I have a lot of books in me, and they're going to come out because I said so. It's going to happen.
People never grasp the fact that they're going to have to go through the same thing again. They get to the sort of five-year stretch or the seven-year itch or whatever these tension points are that seem to be organic, built in, like the tide coming in and going out. It's like every time the tide goes out you quit--you move your house or something.
I mean, you're just not going to like somebody and he's not going to like you. But you're going to go out there and play. And you're going to give the other seven or eight guys on that field a chance to win. And that's just the way it's going to be.
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