A Quote by Christian Louboutin

It's a good addition. There are so many bad addictions. Better be addicted to shoes than something else — © Christian Louboutin
It's a good addition. There are so many bad addictions. Better be addicted to shoes than something else
Women tell me they won't date a guy with bad shoes. There are good-looking guys with good-looking outfits, and then really bad-looking square toe I-don't-even-want-to-mention-the-label kind of shoes. There is no reason for that. Again, invest in something that looks proper. A great pair of shoes can make your old outfit look great, too.
In philosophy class I think we finally decided that 'good' is an infinitely recursive term - it can't be defined except in terms of itself. Good is good because it's better than bad, though why it's better to be good than bad depends on how you define good, and on and on.
I'd say I have more shoes than anything else; they're a good way to update a look. Bags and shoes - it's like decorating a cake.
I'm addicted to laughing. I go to see a lot of comedy shows. I'm addicted to playing really loud and obnoxious rock music in my car. I'm addicted to beautiful clothes and shoes. I just love gorgeous stuff and work hard to acquire pretty things, shiny things. I'm addicted to shiny things!
I've worked with many directors, good ones and bad ones. So if I have a chance to work the good ones, I better put myself in their hands, and trust them, because that's my big opportunity to be different, and to be better than usual.
Habits can be good or bad, whereas addictions are always bad.
The difference between those whom the world esteems as good and those whom it condemns as bad, is in many cases little else than that the former have been better sheltered from temptation.
Bad art was as good as good art. Grammar and spelling were no longer important. To be clean was no better than to be filthy. Good manners were no better than bad. Family life was derided as an outdated bourgeois concept. Criminals deserved as much sympathy as their victims. Many homes and classrooms became disorderly - if there was neither right nor wrong there could be no basis for punishment or reward. Violence and soft pornography became accepted in the media. Thus was sown the wind, and we are now reaping the whirlwind.
Self-righteousness is unavoidable. You can either be a self-righteous Pharisee where you think you are better than everyone else or you can be a self-righteous pagan who thinks you are better than the Pharisee. If you are a self-righteous person, I could become very self-righteous thinking that you're self-righteous and you think you're so good but I know you're bad. I know I'm bad so that makes me better than you.
When I spend money on myself, it's almost always on shoes and clothes. I'm addicted to shoes. I always have been, since I was a kid. When I was young, I could never get the shoes I really wanted.
I'm like anyone else: there's good and bad in what I do and there are always people out there who think they know better than you.
Boots and shoes are the greatest trouble of my life. Everything else one can turn and turn about, and make old look like new; but there's no coaxing boots and shoes to look better than they are.
It is better to sit alone than in company with the bad, and it is better still to sit with the good than alone. It is better to speak to a seeker of knowledge than to remain silent, but silence is better than idle words.
A bad rendition of you is better than a good rendition of somebody else.
The only way that I can do better than someone else, maybe they're better at something else, but they'll never beat me at work.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
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