A Quote by Christian Louboutin

The shoe is very much an X-ray of social comportment. — © Christian Louboutin
The shoe is very much an X-ray of social comportment.
Ray Leonard is more the family man, kind of quiet. He's not as outgoing as Sugar Ray Leonard. Sugar Ray Leonard was very determined, very focused, very outgoing and very selfish, if you will. There are two different individuals there.
I was not "shoe." That's a misuse of the term "shoe," which is derived from "white shoe."
Ray had so much love of life and the music. He had so much integrity. He treated the music with so much dignity and respect. I spent four and a half years as a sideman with Ray Brown's trio. Music was his life, more so than anyone I could mention.
I'm very, very specific about sneakers. I've always been a fan. It's not just certain brands, it's also the model of the shoe, the cut of the shoe, the colorway of the shoe. Someone will say, "Hey, this is the Air Jordan this." And I'm like, "Yeah, but that's not as rare as this Air Jordan, in this colorway." It gets very specific - it's the make, the model, the colorway. As a kid, I always wanted to have sneakers, but I didn't always get the ones that I wanted. So now, I'm reliving my childhood through my feet.
There have been times where you do the red carpet in a certain shoe, and you go into the bathroom, you take that shoe off, you put the other shoe on from your purse, and then you walk around for the rest of the night.
I thank Marc Jacobs so much for giving me the opportunity to design a shoe for Louis Vuitton, but the thing that broke my heart most was when they said, 'You're finished. The shoe's finished.'
If you think of data as kind of an x-ray of our soul, it's this window into our minds that the company has possessed. It's a very, very powerful x-ray for them to hold because the more that you understand about somebody, the easier it is to manipulate them.
When you sketch a shoe but don't have the intention to do a proper shoe, it remains a curvy sketch with no detail. The shoe completely morphs to the body.
You want to fall in love with a shoe, go ahead. A shoe can't love you back, but, on the other hand, a shoe can't hurt you too deeply either. And there are so many nice-looking shoes.
We completely ignore social media. Bradley Simpson also isn't on social media very much. I think we just try to live in reality as much as we can.
There was a Yale even before Larry [Kramer] and I got there, and there were three designations of students: "white shoe," "brown shoe," and "black shoe." "White shoe" people were kind of the ur-preppies from high-class backgrounds. "Brown shoe" people were kind of the high school student-council presidents who were snatched up and brushed up a little bit to be sent out into the world. "Black shoe" people were beyond the pale. They were chemistry majors and things like that.
You get two weeks after you do a shoe where you can test whether it's good or not - if you're going to like it in 20 years. Then I know that it's going to be my shoe for a long time. That doesn't happen very often, but it happens.
I don't consider what you're wearing when I design a shoe. I don't have a particular look in mind or make a shoe thinking, "This would look great with a blue pinstripe suit." I just let you dress yourself. I'm looking at the shoe itself, not as a component of an outfit.
The theatre is a spiritual and social X-ray of its time.
The present rate of progress [in X-ray crystallography] is determined, not so much by the lack of problems to investigate or the limited power of X-ray analysis, as by the restricted number of investigators who have had a training in the technique of the new science, and by the time it naturally takes for its scientific and technical importance to become widely appreciated.
On 'Arrow,' we have Ray Palmer and Roy Harper, and if you call Roy 'Ray' and Ray 'Roy,' you have to put money into the jar.
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