A Quote by Christian Marclay
With improvisation, I just do it. It might be a total failure but then you just throw the dice again.
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I've always been a spontaneous singer. And all the stuff that you hear on the end of the songs, what they call the ad libs - that just comes out of my head. That's not thought out at all. I have the verses and the choruses, and then after that it's total improvisation.
He seemed to be talking about my fears, my insecurity, and my unwillingness to see what was wonderful because tomorrow it might disappear and I might suffer. The gods throw the dice, and they don't ask whether we want to be in the game or not.
Improvisation, the main thing is it teaches you to be in the moment and present in the moment and be reactive and proactive for what's going on. Someone gives you something - a lot of actors are a little shut off, so they're just doing, "This is my character, these are my lines, I'm going to just send it to you then you send whatever you're sending." Improvisation teaches you to really be listening.
Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.
Who then may trust the dice, at Fortune's throw?
Investing is a probabilistic business. Every once in a while, it's sort of like you're throwing six-sided dice, and anything except a one or a two, you're doing well. Statistically speaking, you throw the dice enough times, you're going to throw a one or a two five times in a row, and you're going to look pretty foolish, right?
You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.
When I was a kid, I would do Andrew Dice Clay jokes for my siblings. Like, we'd be on vacation, and I'd just recite Andrew Dice Clay jokes. They seemed to think that was pretty funny. Then it evolved into 'Wayne's World.'
I have one final hope, If I get double sixes, maybe he will change his mind, come back to me. As if to cast a magic spell, I blow on the dice just as Dex did...Just as it happened with our first roll, one die lands before its mate. On a six! I hold my breath. For a brief second, I see a mess of dots, and think I have boxcars again. I kneel, staring at the second die. It is onle a five. I have rolled an eleven, It is as if someone is mocking me, saying, Close, but no dice.
I'm normally late, so I just kind of throw on the sort of thing that's at hand. And then I'll go through phases of wearing the same thing again and again and again - and my wardrobe is mainly about black and white, so it goes together. I'll play with certain elements, but I don't really think about it too much.
I'm normally late, so I just kind of throw on the sort of thing that's at hand. And then I'll go through phases of wearing the same thing again and again and again. My wardrobe is mainly about black and white, so it goes together. I'll play with certain elements, but it's - I don't really think too much about it.
The 20th century saw three great-power confrontations. Two of them turned into total war. We lucked out on the third. Do we really want to roll those dice again?
I don't ever judge somebody by what comes out of their mouth 'cause I don't know what they're thinking. Sometimes people might just say things just to see how you react about it. People might say things to you just to try to throw you off your game. Doesn't necessarily mean they're a racist.
I like to start with an idea, but then again, I might be sitting at the keyboard, and just playing a bunch of chords that sound cool together, and something just inspires an idea from that.
A lot of improvisation ends up being about just thinking outside of the box in the scene. It's not improvisation as much as it is quickness or making it real.
Improvisation is almost like the retarded cousin in the comedy world. We've been trying forever to get improvisation on TV. It's just like stand-up. It's best when it's just left alone. It doesn't translate always on TV. It's best live.
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