A Quote by Christian Marclay

Since I was a child I have always been cutting things out and gluing them together rather than drawing them. — © Christian Marclay
Since I was a child I have always been cutting things out and gluing them together rather than drawing them.
In bad weather, I spent hours drawing action figures on paper, coloring them, backing them on cardboard, then cutting them out and creating whole stories around their lives.
I can always make things longer than I intend for them to be, but cutting things down is just brutal. It's like cutting off your fingers every time you lose a word.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
I was interested in science or, at least, nature from an early age, learning the names of planets, cutting cartoons with facts about animals out of the newspaper and gluing them into a scrapbook, and, with a friend when I was five or six, trying to design a submarine.
Scilurus on his death-bed, being about to leave four-score sons surviving, offered a bundle of darts to each of them, and bade them break them. When all refused, drawing out one by one, he easily broke them, thus teaching them that if they held together, they would continue strong; but if they fell out and were divided, they would become weak.
Since age 14, I know what actors fear, what they like; I know how to get things out of them and I listen to them better, since I've been there.
And as we live our lives we discover - drawing toward us the thin threads attached to each - what has been lost. I closed my eyes and tried to bring to mind as many beautiful lost things as I could. Drawing them closer, holding on to them.
I have almost no memory of them [St. Trinian's films]. I don't think I've seen them since I was quite young. I was a bit frightened of the girls. I fancied them. Even though I was young, I found them attractive and rather frightening. I've always been attracted to frightening girls! I'm married to one!
There's always a Justin Bieber. Ever since I've been around, there's always been one of him. You know, you can trace it back from how old you are and the boy bands that came along then and the teen sensations and whatnot. And, you know, good for them. There's a few of them that make it out and a few of them that don't.
It is better to be loved rather than feared, or feared rather than loved? It might perhaps be answered that we should wish to be both: but since love and fear can hardly exist together, if we must choose between them, it is far safer to be feared than loved.
Although my parents have never been the kind to hint around about grandchildren, I can think of no better tribute to them than giving them some.... I can't help thinking that the cycle is not complete until I can introduce them to a child of their child. And I can think of no better comfort when they are gone than to know that something of them lives on, not only in me but in my children.
From this arises the question whether it is better to be loved rather than feared, or feared rather than loved. It might perhaps be answered that we should wish to be both: but since love and fear can hardly exist together, if we must choose between them, it is far safer to be feared than loved.
I was always cutting dialogue out when we were rehearsing, and when I produced movies, too. I felt that people don't say things in life - they act, they do things. I always wanted my characters doing, rather than saying what they were doing - which was redundant.
Writing a mystery is like drawing a picture and then cutting it into little pieces that you offer to your readers one piece at a time, thus allowing them the chance to put the jigsaw puzzle together by the end of the book.
I thought I was the center of the world and that my parents had nothing to do with me, and I regret that. I wish I had been a little kinder to my family and been friends with them and let them into my life and shared with them the things I was doing rather than feel like I needed to do my life in secret.
I've always been scared of advertising folk. I've met them at parties and I've been to their offices and I've always found them intimidatingly cool. At one company I visited, they held their meetings in a caravan that had somehow been installed in the place, a rather more exotic place to gather than the typical BBC glass box.
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