A Quote by Christian McBride

For my money, Ray Brown is the greatest living bass player. Every great thing that's happened on bass since Ray Brown -- all of us point back to him. That's where it started, you know. Ray Brown is definitely a walking master, and to get to play with him is obviously an opportunity that no one should ever pass up.
My dream as a child was to play with a bass player like Ray Brown, who played with the Oscar Peterson Trio. The feeling I had listening to his work was almost carnal, so to actually play for him was earth-shattering for me.
Ya know, I always admired Ray Kroc, the man who invented McDonald's. Ray had a vision of the most commonplace thing - a hamburger and fries to go - but to him it was just the greatest thing ever, and he was going to make it the greatest thing ever for everybody else, and he did.
I always admired Ray Kroc, the man who invented McDonald's. Ray had a vision of the most commonplace thing - a hamburger and fries to go - but to him it was just the greatest thing ever, and he was going to make it the greatest thing ever for everybody else, and he did.
James Brown opened at least six of our House of Blues clubs. He always delivered, but he demanded the respect of an emperor. But, come on, he's James Brown ! ... I got to play on stage with him. Did he ever fine me ? (Brown was known to fine players for flubbing notes or steps) - I would have loved to have been fined by James Brown !
I'm not a star. I'll never be a Frank Sinatra or Elvis Presley or a Ray Charles. I'm just an imitator, man. I'm doing a very bad imitation on the bass of Jerry Jemmott, Bernard Odum, Jimmy Fielder, Jimmy Blanton, Igor Stravinsky, Jimi Hendrix, John Coltrane, James Brown, Charlie Parker... the cats, man. I'm just backing up the cats.
When Hank Jones had his night off, I would get somebody to take my place as intermission pianist and I'd play the show with Ella, so I would get a chance to play with Ray Brown and Charlie Smith as well.
Ray had so much love of life and the music. He had so much integrity. He treated the music with so much dignity and respect. I spent four and a half years as a sideman with Ray Brown's trio. Music was his life, more so than anyone I could mention.
If envy is red and doubt is black then happiness is brown. I looked from the little brown stone to the tiny brown freckle to her huge brown eyes.
Shortly after I moved to Los Angeles, I was looking for work, and I happened to be invited to Ray's studio and sat in and played on a couple of his demos. I didn't charge him a dime for it. I was on cloud nine to be working in the same room as Ray Charles, one of my huge idols.
On 'Arrow,' we have Ray Palmer and Roy Harper, and if you call Roy 'Ray' and Ray 'Roy,' you have to put money into the jar.
Can we just do this?” Ray asked tightly, clinging to Zheng’s already slightly elongated arm. Because Louis-Cesare wasn’t the only one with a master power around here. “Let go,” Zheng told him. “I’m the rubber band; you’re the spitball. And spitballs don’t hold on to rubber bands.” “Die in a fire,” Ray told him savagely. But he let go.
I come from oldest country in the world and everybody know when Iron Sheik see the bad person like the OJ Simpson or jabroni Chris Brown or the good man like the Ray Lewis, I respect them or break their back.
One of my favorite Tarantino films is 'Jackie Brown,' and 'Jackie Brown' does it so well, where I'm watching the back half of that movie, and I don't know which side Jackie Brown is playing. I think it's really ingenious for Tarantino to keep us in the dark on that.
Now everybody let me hear you say 'Ray Ray Ray'. Now spend all your money cause they pay pay pay.
When I was 16, walking down Oxford Street, I saw Ian Brown. I said, 'Are you Ian Brown?' He said no and walked off, but I am sure it was him.
It was probably when I met Jeff Hamilton, the drummer I've been working with for the last 20 years. He's the one who brought Ray Brown to hear me sing at a restaurant in my hometown.
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