A Quote by Christian Scott
To me, trying to achieve the balance is when you become good: when you have enough technique to be able to play what is that you want, but also when you can refine what you want to communicate to people. As a younger person, it wasn't something I thought about so much.
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Those trying to drag me down through piracy, I want to tell them that I will somehow achieve what I want. I am focused enough to achieve what I want and give the audience what I can.
If you are good at studies, and you want to play cricket, you may work harder than any other person, but you may not achieve it. So it's something you have to balance in life and be practical where you are good and then channelise your efforts in the right direction to be successful in life.
I want to be strong. I want to be able to hit people. I want people to be able to bounce off me. When I go out there and play, I play to intimidate people. If someone gets hit down by me, they're going to think twice about coming near me again.
Writers don't want to appear to be stupid. I don't know - maybe people become writers so that they can prove that they're not. Of course getting a book published doesn't mean that they're not stupid. At a certain point you have to stop trying to prove something and write because you need to think about something and want to communicate, in a very broad sense.
People's attention spans, first of all, aren't always long enough. You also want to not be preachy. You want to be able to try and get the good stuff, like me and Donald say, the vegetables with the chocolate.
It's all about, no matter where you come from, that you can be who you want to be and achieve what you want to achieve. I want people to learn to love who they are. Because that's the hardest thing in life, being able to see yourself the way other people see you.
When I was younger I thought success was something different. I thought, " When I grow up, I want to be famous. I want to be a star. I want to be in movies. When I grow up I want to see the world, drive nice cars. I want to have groupies." But my idea of success is different today. For me, the most important thing in your life is to live your life with integrity and not to give into peer pressure, to try to be something that you're not. To live your life as an honest and compassionate person. To contribute in some way.
I spent many years trying to fit in and do things the way I thought I was supposed to - trying to be perceived the way I thought people wanted to see me. I grew up in a very religious household and wasn't taught to feel comfortable or good about my sexuality, so it feels great to be able to say things the way I want to say them.
People have different expectations when you're younger - it's less about changing yourself into a character; they want a more natural thing. And they just want you to be able to turn up every day and carry on working. They have a horrible fear of 10- or 11-year-olds, that they're going to say 'I don't want to play today.'
I've realized that a lot of people come to me because of what's called identity. In the sense of "he's like me" - more like identification. Identity is one of those nonsense words: it's been used so much it doesn't mean anything. As individuals, we don't want to stay the same; identity means sameness, and we don't want to be the same, we want to keep changing, we want to grow, we want to become something else. We want to evolve. So when people come to me, it's about resonance - it goes back to that word.
If you can become the leader you ought to be on the inside, you will be able to become the person you want on the outside. People will want to follow you. And when that happens, you'll be able to tackle anything in this world.
Much of an editor's job is in fact pretty nanny-like in nature: in many ways, you're there to protect and defend, to reassure and clean up. What I ask from writers is respect. I want them to respect me enough to turn in a clean draft. I want that draft to be as good as they can make it. I want to feel the thought behind those words. And I want it to be turned in on time. It drives me wild when I get a story that's obviously slapped together, and the same can be said for a manuscript; you should respect your reader enough to give her something that reflects your best efforts.
When I take on a character, it's a sacrifice. There's something that you give up every time. I want to become these characters, and I want to be mysterious, but if you know too much about me, it's not going to be too much fun watching me play a character, because it's just going to be me with a mask on, instead of you believing what the mask is.
The whole notion of one person being enough for everything gets instantly challenged when you start to talk with somebody about wanting more or of wanting something else. They take it personally, feel like a failure or feel that they lack something, so you don't talk about it because you don't want to hurt, offend, or scare the other person. You also don't want to be rejected or have them leave you, whatever the reason.
I get a little myopic in the act of doing any writing. I think I'm not as interested or not as able to write about balance, because I think there's something I want to try to get at. I'm trying to get at something about the experience of growing up or about families.
The parts of life that drive me are getting that homeless person off the street and helping people receive the education they deserve. I want to be able to help the ones that want the help, but also guide the ones who don't so they are also in a better position.
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