A Quote by Christian Scott
My main horn is a hybrid of a flugelhorn a coronet and a trumpet, but that's really because, for me, each instrument to me had a different voice, and I liked them all, but I didn't like any one of them singularly.
Related Quotes
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
I just always wanted to play guitar. I though that was, like, really dope. And then in high school, I learned how to play trumpet and, like, French horn because if the instrument's right in front of me, I'm going to just teach myself.
Did you know that the human voice is the only pure instrument? That it has notes no other instrument has? It's like being between the keys of a piano. The notes are there, you can sing them, but they can't be found on any instrument. That's like me. I live in between this. I live in both worlds, the black and white world.
After I learned the piano, I went on to learn percussion, the tuba, b-flat baritone, French horn, trombone, trumpet, most of the instruments in the orchestra. Trumpet was my instrument.
Every single member is so precious to me and like family to me.. I may joke around with them a lot but I can't talk seriously with them..because it's awkward for me. But on the inside, I really do think of each one of you so much and I want you all to know that.
The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.
I have had the same friends for a really long time, and I like them because they like some of the stuff I like, but they are also really different from me.
I do remember instances where girls would just fawn over me because they liked that I was different - exotic - to them. And they didn't use the word 'Asian' at the time. All of the aspects that make me Asian, they liked.
You are an instrument if you understand your voice and how to use it - this sound, that sound and certain ranges and different pitch. Within that I try to find a rhythm and play the voice as if it was a horn.
Sometimes for a lot of new artists, they don't have a vision, really, or know what they want to say; it's kind of drawn out for them. But me, because I'm such a transcendental thinker, it's always like a journey and an adventure with each project. It's like going through a different doorway each time.
Decades have a delusive edge to them. They are not, of course, really periods at all, except as any other ten years may be. But we, looking at them, are caught by the different name each bears, and give them different attributes, and tie labels on them, as if they were flowers in a border.
From a young age I was really into pop music because I had these two older sisters who were into it, and I wanted to be like them. They liked Wham! and so I was really into them too.
Acting really started for me because I was in a house full of adults. They never shielded their lives from me. They were adults going through this world doing what they had to do. I used to like to watch them and imitate them. They all have their own distinct personalities; even though they're family, we couldn't be more different people.
And my dad wanted me to play the trumpet because that's what he liked. His idol was Louis Armstrong. My dad thought my teeth came together in a way that was perfect for playing the trumpet.
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