A Quote by Christian Vieri

I have a singer, she's called Lara Caprotti. And then I have Stefano Serafini playing trumpet. The trumpet sounds amazing live in a club. — © Christian Vieri
I have a singer, she's called Lara Caprotti. And then I have Stefano Serafini playing trumpet. The trumpet sounds amazing live in a club.
I played trumpet in middle school, and then I had to get braces, so I had to stop playing trumpet and start playing drums.
There's nothing worse than bad scatting, except maybe bad mouth trumpet. Mouth trumpet may sound like a trumpet, but it's really more like playing a kazoo. The instant you do your solo, the audience has a bit of a chuckle.
I started playing trumpet when I was 11 years old. All I wanted to be was a jazz trumpet player when I grew up.
I hate the natural sound of the trumpet, but I think I'm naturally set up to be a trumpet player. I know that sounds weird. But pretty much anytime I play a note, I'm uncomfortable in a general sense.
You want to know how I started playing trumpet? My father bought me one, and I studied the trumpet. And everybody I heard that I liked, I picked up things from.
I'm not an amazing trumpet player. It's mostly smoke and mirrors. You shake the trumpet and it starts to vibrate in a ridiculous drunken way, or you flop notes at the right time and you don't have to play stuff that would take seven years to learn.
I played trumpet in school once because I joined band because a cute boy played trumpet too. And I was really bad at trumpet.
I got to be about 13 and everyone started playing guitars and being in rock bands. There was no place for me with my trumpet and I wasn't cool anymore. Although now if I played the trumpet it would be the coolest thing in the world.
And my dad wanted me to play the trumpet because that's what he liked. His idol was Louis Armstrong. My dad thought my teeth came together in a way that was perfect for playing the trumpet.
I'd love to do a comedy. I always told myself that I don't have funny bones, and then I was working with Dervla Kirwan in 'Uncle Vanya,' and she was like, 'Lara, you're really, really funny.' And I realised I am, and that's not even me blowing my own trumpet.
A trumpet sounds pretty much like a trumpet, and that's true of a lot instruments; pianos sound like pianos, but there's something about the guitar - the range of possibilities is much broader.
Well, my sister played trumpet. Can you imagine having a sister blowing the trumpet around the house, Fred? And my brother, he played piano. Everybody was playing some kind of music, so it was natural for me to get into it.
My job - and it's really true - is that it's constantly evolving and changing. When I was doing the Chet Baker movie I was obsessed with playing the trumpet, and to my absolute shock I haven't picked the trumpet up since we wrapped. It was so much work. I thought I was going to keep playing the rest of my life, 'cause it was fun, it's just a lot of work. And it's a really unique job that exposes you to a lot.
After I learned the piano, I went on to learn percussion, the tuba, b-flat baritone, French horn, trombone, trumpet, most of the instruments in the orchestra. Trumpet was my instrument.
Other friends have said, "I don't understand why you've used this trumpet-style sound rather than a real one when you know you can write for trumpet." But it's most important to get the energy right.
My older brother Mike is an excellent trumpet player. By the time he was 12, he was playing around Kansas City in classical situations. He was already an amazing talent.
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