A Quote by Christian Wiman
Mandelstam's style is not singular. He could be stately and traditional, ribald and funny, hectic, elegiac. He could handle abstractions and ideas as well as Pope or Browning but then be so musical that other poems approach pure sound.
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China could easily emerge as the great winner if the Chinese leaders handle the situation well. On the other hand, they could also turn out to be the biggest losers if they handle it poorly. If the management turns out be wrong, this could lead to a political crisis in China.
Find a poet whose style you like, emulate that style, then deal with things that you know about - don't waste your time looking for your own style.' I wish I could remember who told me that, because I'd like to congraulate him. I've emulated all the old guys - Tennyson, Alexander Pope.
Blumenthal goes straight to the heart in these poems. Gorgeously wrought, surprising, true, wise, elegiac, they leave me with a sense of having listened to Mozart’s Ave Verum Corpus. Who could ask for more?
It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.
I created a paradigm by which I could succeed, and up until recently it was the only way I could do it. I could not take the brunt of standing in the light of my own work. There was a Faustian bargain I could not make. I could have you mock me for wearing funny clothes that I could deal with. But I couldn't deal with actually standing in the light of my own musical power. That's the difference now. It's like, okay, no more of that, you're done.
I figured if I could put together being funny about stuff and actual events, maybe I could do something that wasn't being done much. Because the reporters that I met out there were funny, and they had hilarious stories that just didn't fit in the AP/UPI/New York Times foreign-correspondent style. They couldn't use the things they had. But I could.
I approach my work the way an actor approaches their work. The only difference is that I do comedy, and my job is to make things funny. My style makes things sound like they're improvisational and happening right then and there.
By the mid-'60s, recorded music was much more like painting than it was like traditional music. When you went into the studio, you could put a sound down, then you could squeeze it around, spread it all around the canvas.
Elizabeth Barrett Browning could write a poem two pages long. Could she have brought it to a music publisher?
He came from a rock band and even though he was not a lead singer, I knew he was musical just from that. I also knew that he was intelligent enough from talking to him, that he would not play this part unless he could handle it vocally. I knew he was not about to get up there and have to have his voice dubbed or come off croaking. So Johnny Depp casted Johnny Depp. I trusted him entirely. I knew that he was no fool and he would only do it if he felt he could handle it. I told him to listen to the score carefully and if you can handle it, fine by me, and I was right.
Well, you could become a Southern Baptist. I mean, instead of having to obey the Pope, you could just obey your husband.
The most comical thing for me, even when I watch movies, is the guy who's so crazy confident about himself, with the mink jacket - to me, that is so funny. I wish I could be like that. As a fighter, I wish I could do that, so I could make people laugh. But I can't; it's not my style.
I feel like the traditional patron system meant that you would kiss the ass of one rich person and then hide all of the financial goings-on of your work, and you could pretend you were pure.
I tend to like poems that are short as well as funny. I love Joe Brainard and Aram Saroyan. And I think their sense of humor and minimalist approach are pretty radical.
I've been writing poems since I was in the Navy - to Rosalynn. I found I could say things in poems that I never could in prose. Deeper, more personal things. I could write a poem about my mother that I could never tell my mother. Or feelings about being on a submarine that I would have been too embarrassed to share with fellow submariners.
I just wanted to see every single musical I could. The very first one I saw was 'Beauty and the Beast,' the only one I could get tickets for, and then 'Les Miserables' and then 'Chicago.'
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