A Quote by Christian Wiman
Mandelstam was an artistic genius, the sort that any century produces only a handful of.
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Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.
The horrors have made the legend of Mandelstam and are inevitably the lens through which we read his work and life. But if there had been no Stalin and no purge, Mandelstam still would have been a poet of severe emotional and existential extremity.
A great nation is any mob of people which produces at least one honest man a century.
USA belongs to a handful of men who also control the media. Look at General Electric. It produces nuclear weapons for the Pentagon and also owns the NBC News cable channel, which is a very sophisticated censure apparatus, intrinsic to the system. It's genius. It's like an electronic cage around the nation which blocks information from getting through.
Governmental aid is a drawback rather than an assistance, as, although it may facilitate in the routine of artistic production, it is an impediment to the development of true artistic genius.
Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. The genius is a man who knows everything without having learned it.
The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius,referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius, as there has been none wholly destitute of Genius.
There were some great clinicians in the 20th century - great men. Freud was a genius; Jung was a genius, Carl Rogers was a genius - there's a half-dozen psychologists of the 1950s and humanists of the 1960s.
And Mandelstam says a poet - you go down to the shore and you see an unlikely looking from a bottle from the past, you open it. Mandelstam says, "It's okay to do so. I'm not reading someone else's mail. It was addressed to whoever found it. I found it, therefore it's addressed to me."
Education, however indispensable in a cultivated age, produces nothing on the side of genius. When education ends, genius often begins.
Whoever reaches into a rosebush may seize a handful of flowers; but no matter how many one holds, it's only a small portion of the whole. Nevertheless, a handful is enough to experience the nature of the flowers. Only if we refuse to reach into the bush, because we can't possibly seize all the flowers at once, or if we spread out our handful of roses as if it were the whole of the bush itself -- only then does it bloom apart from us, unknown to us, and we are left alone.
I loved my parents. There were never any rows. It was a sort of artistic, bohemian upbringing.
I think when we were developing Season 1 - and to Netflix's credit, they sort of pressured us to make sure we had this mythology really hammered out - we had like a 25-page sort of 'Stranger Things' mythology that only maybe a small handful of people have seen.
The mathematician's best work is art, a high perfect art, as daring as the most secret dreams of imagination, clear and limpid. Mathematical genius and artistic genius touch one another.
It was my responsibility that this world got itself an atom bomb, because there were only a handful of nuclear physicists in the thirties - only a handful. And we were all beating the desk and saying "How wonderful it will be if we discover atomic fission."
The thing is, if you're going to take the artistic path, you sort of have to make peace with the idea or the possibility that you may never make any money or get any acknowledgment or accolades for what you're doing.
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