A Quote by Christina Aguilera
Etta James is my all-time favorite singer. I've said it in every interview, in every story, in every on- and off-camera question. That music was always such a huge escape for me, even from a young age.
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It's nice being able to speak for myself. Every interview I did for so many years and every time I was in front of the camera, pre-Twitter, there was no way for me to speak for myself. Every interview started with, 'What was it like to work for this man?'
How do I define who Usher is? I'm still doing it - every day, every new opportunity, every stage, every interview, every other thing that I've done, every time that I've invested in anything that is all the definition of who I am.
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You know, every time it comes, every time that light comes on or every time that camera comes on, every time that microphone comes on, the Mac Man seek and destroy.
I joined Bayern at the age of 11, and from then on it was all about being up to the competition. It doesn't matter who you face, you are always the favorite. You learn this at a young age. And this continues throughout your career at Bayern Munich, you are always the favorite or one of the favorites in every competition you are involved in.
My mum's an opera singer: I grew up watching her get swept up in music and transform herself into characters. She taught me that music is a lifelong journey, and that with every day and every song and every gig you learn something new.
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I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.
'I'd Rather Go Blind' was a song I did on an album with Joe Bonamassa called 'Don't Explain,' and I've always been such a huge, huge Etta James fan.
Every time a boy falls off a tricycle, every time a black cat has gray kittens, every time someone stubs a toe, every time there's a murder or a fire or the marines land in Nicaragua, the police and the newspapers holler 'get Capone.'
Every time a new rock singer comes out they don't say, 'Are you the new John Lennon?' Every time a new rapper comes out, it's not, 'Are you the new Dre?' I am never sure why this sort of genre, the categorization is so strong. I have not earned the right to be called the young Sinatra, but give me time.
I once saw JLo's 'Behind the Music' special, and she said she may not get every role she auditions for but her goal is to make every single person a fan. That stuck with me, and I want to do that every time I see a client.
His whole mind and body seemed to be afflicted with an unbearable sensitivity, a sort of transparency, which made every movement, every sound, every contact, every word that he had to speak or listen to, an agony. Even in sleep he could not altogether escape form her image.
"This isn't over," I said. "After everything we've been through, you don't get the right to brush me off. I'm not letting you off that easily." I wasn't sure if it was a threat, my last stab at defiance, or irrational words spoken straight from my splintered heart. "I want to protect you," Patch said quietly. He stood so close. All strength and heat and silent power. I couldn't escape him, now or ever. He'd always be there, consuming my every thought, my heart locked in his hands. I was drawn to him by forces I couldn't control, let alone escape. "But you didn't".
My dad was always genuine with the fans and said, 'You must appreciate every single one of them,' and I always did. I always tried to make time for every autograph or every picture. What's an autograph? It's the simplest thing in the world.
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