A Quote by Christina Aguilera

I felt caged by my childhood. — © Christina Aguilera
I felt caged by my childhood.
In the invincible and indescribable squalor of Harlem ... I was tormented. I felt caged, like an animal. I wanted to escape. I felt if I did not get out I would slowly strangle.
The caged bird sings with a fearful trill, of things unknown, but longed for still, and his tune is heard on the distant hill, for the caged bird sings of freedom.
I felt if I went chronologically, I'd get bogged down in childhood and that's part of our culture of complaint in America. This endless wailing about your childhood.
Music and comedy, musical comedy, specifically, really helped me through my childhood. I felt out of place, I felt lots of adversity, and I felt scared all the time.
I have read in books that we are called 'caged birds'. I cannot speak for others, but I had so much in this cage of mine that there was not room for it in the universe- at least that is what I then felt.
I always felt caged, closed in, like I was punching at things that weren't there. I always had too much energy for the room I was in.
During my childhood, I felt older than my years because I felt responsible for my brothers and sisters.
It would be ugly to watch people poking sticks at a caged rat. It is uglier still to watch rats poking sticks at a caged person.
I was in special ed, but I felt like I was a caged bird. I felt like I could do better. I made sure I mastered my special ed lessons. I made sure I listened to my teacher. I made sure I did my homework, but I had to do a little extra.
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.
I don't know if it's that my own childhood felt brief, or I grew up too fast, or I was pushing myself too much at a young age, but I do feel like I am clinging to a certain childlike quality in myself, as a result of a childhood that was sometimes complicated.
From very early on in my childhood - four, five years old - I felt alien to the human race. I felt very comfortable with thinking I was from another planet, because I felt disconnected - I was very tall and skinny, and I didn't look like anybody else, I didn't even look like any member of my family.
I always felt that with an Antoine Doinel film, Truffaut was taking a vacation, that Francois could relax when making a Doinel film. All of the language came to him very easily. 'The 400 Blows,' I felt, was a collage of all his childhood experiences. Every time he felt an Antoine Doinel film was necessary, he'd make one.
Chad had prowled over to her, and she felt good caged in between those powerful arms, but when he kissed her flushed forehead and then the tip of her nose, she lost a little of herself forever.
I know why the caged bird sings, ah me, When his wing is bruised and his bosom sore,- When he beats his bars and would be free; It is not a carol of joy or glee, But a prayer that he sends from his heart's deep core, But a plea, that upward to Heaven he flings- I know why the caged bird sings!
I didn't feel a strong bond with the parents who raised me, and I had anything but a happy childhood. My mother was overly sensitive; my father, ascetic. I was neither. I felt as if I were living with complete strangers. I suspect that my parents felt the same way.
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