A Quote by Christina Aguilera

I'm one that likes to collaborate. — © Christina Aguilera
I'm one that likes to collaborate.
I'm one that likes to collaborate. I love feeding off the creative energy, and it only makes me better.
The working-class is now issuing from its hiding-place to assert an Englishman's heaven-born privilege of doing as he likes, and is beginning to perplex us by marching where it likes, meeting where it likes, bawling what it likes, breaking what it likes.
Everybody wants to collaborate with me. I was going to collaborate with Whitney Houston, but she died. Very sad, man. We were very good friends.
I'm just like every other girl who likes to shop, likes to look good, likes to spend time with friends.
We could say that the human race is a great coauthorship in which we are collaborating with God and nature in the making of ourselves and one another. From this there is no escape. We may collaborate either well or poorly or we may refuse to collaborate, but even to refuse to collaborate is to exert an influence and to affect the quality of the product. This is only a way of saying that by ourselves we have no meaning and no dignity; by ourselves we are outside the human definition, outside our identity.
I've always wanted to collaborate with Shawn Mendes, he's an amazing artist, but the thing with Shawn is that I won't collaborate... me just sending some beats. It has to be in the studio where we'd both be there recording together.
If you read Donald Trump's book "The Art of the Deal," you know that he likes to create leverage, he likes to have psychological advantage, he likes to be on the offense. He believes in what he calls truthful hyperbole.
I want to collaborate with me 'cause I've done so many collaborations that after a certain point unless you're really working with a certain caliber of an artist, there's no point [to collaborate].
I'm someone who likes to listen, who likes to watch, and who likes to learn.
In the past we've tried to hire people in locations where we have critical mass, because we thought it was better for people's career development and easier for them to collaborate. We realized if you have somebody in a particular location who is willing to work the hours to be able to collaborate, you can do it very efficiently.
There are no black film composers doing the likes of Star Wars, doing the likes of E.T., doing the likes of Jurassic Park. There are none, nor will there ever be one. That ain't about to happen!
When I decided to collaborate with people, I wanted to collaborate more with the underdogs, the street people, messing with the people like Jae Millz and Papoose. When I went to New York, they were all over the mixtapes, so I wanted to get down with those guys instead of trying to go safe with all the super-big names.
I just think that everybody likes good things. Everybody likes dogs, everybody likes to feel good and believe the best in people.
Never have anything to do with likes and dislikes. The absence of what one likes is painful, as is the presence of what one dislikes. Therefore don't take a liking to anything. To lose what one likes is hard, but there are no bonds for those who have no likes and dislikes. From preference arises sorrow, from preference arises fear, but he who is freed from preference has no sorrow and certainly no fear.
I don't feed off of the boos, I don't feed off anything like that... No one likes to get booed, no one likes to get cussed out, no one likes to get yelled at by 20,000 fans when you go places.
I was very combative as a creative person at that time [while The Ben Stiller Show]. I didn't understand how to play politics with the studios. I didn't know how to creatively collaborate with the people who were paying the bills, and that came up all the time on every project I was doing, and it took me a really long time to figure out how to collaborate in a healthy way.
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