A Quote by Christina Anstead

Flip or Flop' was a house show based on designing houses for the masses - they were always designed so that any person could walk in and like it and picture themselves living in it.
I grew up remodeling houses with my parents, and I've started to do it again with some of my friends. So, I like to watch HGTV - 'Love It or List It,' 'Property Brothers,' 'Flip or Flop.'
Robert Kirkman can't bear it when I wear flip-flops. He takes pictures of my flip-flops and keeps sending them to me, like, 'What are you doing? Rick Grimes is not a flip-flop kind of guy.'
While I was designing my home, I was living in different houses all around the world, and I saw thermostats that were just as bad as the ones in the U.S., or houses that needed them but didn't have them. I realised that this was a worldwide problem. I thought, 'Let's fix it.'
As the book writer for one big smash and one big smelly flop, I always wondered if anyone knows just what goes into making a great musical. When a show is a hit, the critics trip over themselves not knowing who to laud and applaud the loudest. It's that marvelous score, those urbane lyrics, that irreplaceable star. But only when a show is a flop, does anyone notice the book writer. And then it's always our fault.
I've always been a person afraid of the dark. I was taught that when you have complete darkness, that's when spirits walk. In our house when I was growing up, all the doors were always cracked a little bit at night so you could get light into the room.
I really wish I had invented the flip-flop. I love flip-flops. It's the one style of shoe I would be so proud of inventing: the Havaiana.
Even when I was at 'SNL,' I didn't do impersonations. I always wanted to be the kind of person who could do them - I always thought they were the coolest thing on the show - but I didn't have any experience.
The hardcore fanbase of nerds that live on the Internet are not nearly as powerful as I thought they were. They really, really aren't. They also flip-flop like mad.
It is a dreadful thing to see the dead city. Next to the port I found children, women, the old, waiting for a way to leave. I entered the houses, there were houses where the coffee and pita bread were left on the table, and I could not avoid [thinking] that this, indeed, had been the picture in many Jewish towns [i.e., in Europe, during World War II].
Even if you don't mind Romneycare, or the abortion flip-flop, or any of the rest, there's a more basic problem: He's not a natural campaigner, and on the stump he instinctively recoils from any personal connection with the voters.
I was going to do a big radio show, and I said to my driver, 'Radio can wait, take me to the Full House house.' It literally was a drive-by. I photobombed the Full House house yesterday. I took like 20 pictures because I thought I didn't look good in any of these - you can't see the house! You gotta really show that that's the house!
When I first moved to L.A., I cleaned apartments after people moved out. When people move, they leave stuff behind and haven't cleaned for weeks. I like to clean - I have no problem with cleaning - but some apartments were filthy and disgusting. And there'd always be a random flip-flop left somewhere on its own.
I would sing around the house, and I would always play on things just because instruments were always there, but I didn't show any genius as a child. I wasn't a prodigy or anything like that.
The oyster was an animal worthy of New Orleans, as mysterious and private and beautiful as the city itself. If one could accept that oysters build their houses out of their lives, one could imagine the same of New Orleans, whose houses were similarly and resolutely shuttered against an outside world that could never be trusted to show proper sensitivity toward the oozing delicacies within.
The reason I don't do the Flair Flop anymore is because women's wrestling is being taken so seriously. I'll only perform something comedic like that at a house show.
A few years ago, I realized I was decorating and designing my house around what was beautiful rather than practical for my family. When I made that realization, everything kind of clicked for me. I started being intentional about designing spaces with my kids in mind rather than picture-perfect rooms.
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