A Quote by Christina Anstead

The bad thing about galvanized pipes is they rust, and over the years they can get corroded. It's just kinda gross. — © Christina Anstead
The bad thing about galvanized pipes is they rust, and over the years they can get corroded. It's just kinda gross.
It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
I mean, we all know the dangers of starving, but bulimia? That can't be that bad. It's only bad when you get really thin. Who worries about bulimics? They're just gross.
I don't think there's anything innately erotic about pigs. But, generally, they are sweet, shy, mysterious creatures. Especially the little ones. When they get big, they get kinda gross
May be the truth is, that one pipe is wholesome, two pipes toothsome, three pipes noisome, four pipes fulsome, five pipes quarrelsome; and that's the some on't.
There was only really one accident that was kinda bad but it was nothing to do with booze, just bad luck... I was having a hard time a couple of years ago... I'm a good driver, I just had bad luck.
Writers are funny about reviews: when they get a good one they ignore it-- but when they get a bad review they never forget it. Every writer I know is the same way: you get a hundred good reviews, and one bad, andyou remember only the bad. For years, you go on and fantasize about the reviewer who didn't like your book; you imagine him as a jerk, a wife-beater, a real ogre. And, in the meantime, the reviewer has forgotten all about the whole thing. But, twenty years later, the writer still remembers that one bad review.
Sometimes I'll hear a certain approach that kinda cathes my ear, like „It's kinda cool what that guy's doing there", or maybe an effect that somebody's using, or a guitar sound, or something that kinda makes me open up. But the funny thing is i realise over time how sort of traditional i am.
It was like the first time I'd ever seen Hollywood just really not do the right thing. We filmed Free Willy in Mexico. I'd come in a really nice car from my hotel, and we'd have to drive around all the crew that was sleeping in the parking lot. People making their breakfast on the ground. It was because there was a whale there that was in a little tank. It just felt gross. It felt really bad. They didn't free that whale for, damn... at least 10 years later. The poor whale had horrible psoriasis all over him, and his fin didn't work.
Means and ends are central. If your means are corroded, your ends will be corroded. And if you're fighting to preserve liberty and you use means that eviscerate our liberties, the end will be corroded, too.
As security or firewall administrators, we've got basically the same concerns [as plumbers]: the size of the pipe, the contents of the pipe, making sure the correct traffic is in the correct pipes, and keeping the pipes from splitting and leaking all over the place. Of course, like plumbers, when the pipes do leak, we're the ones responsible for cleaning up the mess, and we're the ones who come up smelling awful.
umm... abit gross it kinda about boyfriend and girlfriend kinda going throw then they break up then they love each other then they make up again and the girl father said u have to come home until 9pm but the girls want more time to be with her boyfriend :)
I've tried to tell people that the reason I don't really get excited over good press is that I don't want to get agitated over bad press. I don't wanna get too high on good press, too low on bad press. It's just not a healthy way to engage with my own feelings about my music.
Sometimes you're with a producer who just makes beats and you can kinda do your thing to whatever beats they come up with. But sometimes you get with a producer who really produces you and the music together, not just the beat then you can kinda throw in your ideas and vibe off each other.
With sharpen'd sight pale Antiquaries pore, Th' inscription value, but the rust adore. This the blue varnish, that the green endears; The sacred rust of twice ten hundred years.
It took me years to work out the difference between net and gross. In meetings I just used to say, 'Tell me if it's good or bad news.
A Falsehood is, in one sense, a dead thing; but too often it moves about, galvanized by self-will, and pushes the living out of their seats.
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