A Quote by Christina Baker Kline

I have a lot of empathy for women who fit their writing into the crevices of their too-busy lives, as I once did. — © Christina Baker Kline
I have a lot of empathy for women who fit their writing into the crevices of their too-busy lives, as I once did.
Solitude. It is way underrated in our world of writing. We stay busy. We act busy. We thrive on busy. The truth is there is a lot of beauty that lives in the solitude. Quiet is not the enemy. Quiet is necessary for brains to not self-destruct.
We hurt people by being too busy. Too busy to notice their needs. Too busy to drop that note of comfort or encouragement or assurance of love. Too busy to listen when someone needs to talk. Too busy to care.
It occurred to me that there have always been selkie women: women who did not seem to belong to this world, because they did not fit into prevailing notions of what women were supposed to be. And if you did not fit into those notions, in some sense you weren't a woman. Weren't even quite human. The magical animal woman is, or can be, a metaphor for those sorts of women.
In the park I met other women and I started to get interested in their lives. I developed a lot of pressure to talk about women's lives, and children's lives, too. Children interest me tremendously.
Women are able to fit public service into their lives. Once they find out they like it and can do it, there is plenty of room to grow.
All the promises we made in the beginning, did we forget because we were busy? Or are we already too busy forgetting?
I think a lot of women aren't really sure about their bodies, so they don't always get their fit right, whether it's too tight and too sexy or way oversized and doesn't show figure at all.
I always like it when writers posit writing as an act of empathy. It's such a grand turn of phrase, such a noble ideal; empathy is so worth aiming for in life that the same must hold true in art. But personally, I can't think too deeply about that when I'm working, or I'd never get anything down on the page.
Possibly I am difficult to live with, but I don't bring my work home much. I'm either busy or not busy. And I don't work from home. I have an office here which has a white wall. No view. I did try working in a room with a view but it was too interesting. Too distracting.
There are many images and realities of what women are, become, can be - strong, vulnerable, dogged, determined, frail, brave, courageous. The faces of women are at once gentle, reflective, firm; steeped with a sense of self, the lives of women growing older are lives of care, toil, splendour and glory... the future is not to be feared.
I did an Off-Broadway show that was a comedy written by Ann Meara. We were like a family, and we did that show for a year. On Oz, I did feel like the cast members were friends and there was a lot of bonding. That said, there was a lot of testosterone. Once again, it was full of really intense theater actors with this writing that was really intricate and subtle.
It is the plain women who know about love; the beautiful women are too busy being fascinating.
MIA stands for 'missing in action,' which is the way others can experience you when you're too busy multi-tasking, being pulled at by the world and by everything that's going on in your head, and, essentially, when you're too busy being busy.
I've been busy and not busy, and busy is better. I've been busy, but I went through a lot of periods where it was lean for a lot of times.
You can't be a good actor if you get too affected by fame. Because then you're not real, and you're not really wanting more. You look at a lot of actors who, before they were famous, did a lot of amazing work, and once they got too big, it just got off.
Are you too busy for improvement? Frequently, I am rebuffed by people who say they are too busy and have no time for such activities. I make it a point to respond by telling people, look, you’ll stop being busy either when you die or when the company goes bankrupt.
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