A Quote by Christina Hoff Sommers

You have to be literate in today's world. We're not going to get away with not teaching boys to read. — © Christina Hoff Sommers
You have to be literate in today's world. We're not going to get away with not teaching boys to read.
I think the phrase 'computer-literate' is an evil phrase. You don't have to be 'automobile-literate' to get along in this world. You don't have to be 'telephone-literate.' Why should you have to be 'computer-literate'?
If you're lucky enough to have 70 years of literate adulthood, and if you read one book every week, you're still only going to get to 3,640 books.
I'm blown away by the graphical detail of today's games. I can't imagine that it's going to get any better, but it's just going to continually progress and soon we'll be living in that world.
Teaching literature is teaching how to read. How to notice things in a text that a speed-reading culture is trained to disregard, overcome, edit out, or explain away; how to read what the language is doing, not guess what the author was thinking; how to take evidence from a page, not seek a reality to substitute for it.
I find it really funny that men can always get away with being a ladies man. Everyone thinks it's really cool. But a girl can't really date boys all the time because everybody looks down on her. I think boys get away with things so much easier.
I would say how important it is that we stop teaching kids, from the beginning, that boys are more important than girls. It's the 21st century, you know, let's go here. We have to show kids that boys and girls share the sandbox equally and do equally interesting things. We're teaching kids something that we have to try to get rid of later on. Why not just stop filling them with unconscious gender bias?
MindSparks has produced some of the best materials on the market for teaching students how to read and write history with intellectual integrity and depth. Rarely have I come across curriculum so useful in helping students become literate, thinking citizens. Bravo.
I remember, as a kid, I couldn't wait to get my library card, get my first book. There was a sphinx on the cover, and I figured I was going to read about the Egyptians. But it was this archeology. It was so dry. But I forced myself to read it because it was my first book out of the library. Should have gotten a 'Hardy Boys.'
If you teach someone your craft, while you're teaching them, you're going to learn because you're going to get better at teaching, which is going to make you better at whatever you're doing.
I do feel that the boys are getting left out. Girls will read boys' books, but boys won't read girls' books. If you're writing for a girl, you've got most of the audience on your side anyway.
I am an earnest advocate of manual training and trade teaching for black boys, and for white boys, too.
I think as women we've always been very used to growing up reading and identifying with male protagonists, especially in fantasy. There's a saying in publishing that girls will read about boys, but boys will only read about boys, and it's important to give women strong heroines.
I actually really liked teaching. I started teaching at UCB when I was in college. I would get someone to fill out an internship form or something so I would get the credit. But why did I start teaching? I loved it. I loved doing improv and loved UCB and wanted to be a part of that world and that community.
Do not chase boys. Chasing boys is bad. Chasing boys can lead to horrible things like mansions going up into flames, hand amputations, and blindness. So have some self respect and don't let things get too far before the wedding day.
I read a lot of highly unsuitable books for an 11-year-old. I was desperate to read as widely as possible. I thought, 'There are so many places I am never going to get the chance to visit, but I can if I read them.' And I did. I could go anywhere in the world - and off it - by reading.
The woman who wrote the movie [Ladies And Gentlemen, The Fabulous Stains], her name is Nancy Dowd. She's a wonderful writer. She wrote Coming Home. And when I read the script, at that time, I thought, "This movie is going to do for girls what Breaking Away did for boys." I thought it was going to be huge. It was a great script.
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