A Quote by Christina Milian
I'm not afraid to blame myself for any of my own faults or just to analyze things in a different way, but I don't overanalyze, either.
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I overanalyze things way too much, to the point where it affects my life. Like, when I'm talking to a boy, I'll overanalyze a text message he sent. And I have to think to myself, 'Just chill out. Some guy sent me a text message. That's all. Don't read something into it that's not there. Just be glad he sent you a text message!'
Now I'm growing and I can see my faults. I can look at myself objectively and say I can't blame anyone else; it was my own damn fault.
We do not look at our own faults; the eyes do not see themselves, they see the eyes of everybody else. We human beings are very slow to recognise our own weakness, our own faults, so long as we can lay the blame upon somebody else.
I am surprised at three things: 1. [A] man runs from death while death is inevitable. 2. One sees minor faults in others, yet overlooks his own major faults. 3. When there is any defect to one's cattle he tries to cure it, but does not cure his own defects.
I just don't analyze what I do, because I'm afraid I won't be able to do it anymore. I'm sort of superstitious. And that's why I've never looked back at any movie I've done.
I'm not afraid to live. I'm not afraid to fail. I'm not afraid to succeed. I'm not afraid to fall in love. I'm not afraid to be alone. I'm just afraid I might have to stop talking about myself for five minutes.
You know, I analyze my faults and my weaknesses very carefully. I'm very hypercritical of myself.
I try to not to overanalyze, not to watch myself too much, but to be present in life and in my art. I'm so glad it comes off in that way.
I don't like to talk about things unless I have to. I don't like to talk a scene to death or overanalyze it, especially if I feel like I have some way in on my own.
If I murmur in the least at affliction, if I am in any way uncharitable, if I revenge my own case, if I do anything purely to please myself or omit anything because it is a great denial, if I trust myself, if I take any praise for any good which Christ does by me, or if I am in any way proud, I shall act as my own and not God’s.
I resolve for 1920 to sit down all by myself and take a personal stock-taking once a month. To be no more charitable in viewing my own faults than I am an viewing the faults of others. To face the facts candidly and courageously. To address myself carefully, prayerfully, to remedying defects.
I do not plan in any way to whitewash my sin. I do not call it a mistake, a mendacity; I call it sin. I would much rather, if possible - and in my estimation it would not be possible - to make it worse than less than it actually is. I have no one but myself to blame. I do not lay the fault or the blame of the charge at anyone else's feet. For no one is to blame but I take the responsibility. I take the blame. I take the fault.
It's definitely been a conscious decision to seek out roles that are different, in any way, from anything that I've done, just to prove to myself that I can do it and to challenge myself. If I can, then great, it will open up those doors and just prove to other directors and peers that I am, in fact, available for things other than comedy.
I'm not afraid to lose my job, and when you're not afraid, you don't feel any pressures. You are not too worried; you can express yourself in a different way. It makes you better, I think.
Self-love makes us deceive ourselves in almost all matters, to censure others, and to blame them for the same faults that we do not correct in ourselves; we do this either because we are unaware of the evil that exists within us, or because we always see our own evil disguised as a good.
When you're making records, you develop, and so you hear the things you want to move away from. It stings a little, but you know, you gotta own it too. You've got to just go, "You know, I wasn't afraid to learn in front of people, so I give myself a little credit for not being afraid of anything."
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