A Quote by Christina Ricci
If an audience doesn't get that [Black Snake Moan] is a movie about overcoming exploitation, it could come across as incredibly misogynistic. That would be the worst thing in the world for me.
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What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.
That worries me an awful lot. If people misunderstand our intentions [in Black Snake Moan], especially regarding my character, then they're essentially exploiting an already exploited and abused woman. So it's a huge concern for me.
I actually think it's going to be the intriguing plot [ in Black Snake Moan] point that brings people into the film.
Every now and then you get a nice Jewish kid who likes black people and they would come in, and it would be a stream of them, and have black friends and really feel the black struggle on the acting tip and it's a reason why all of us are not dying in the movie.
Our society doesn't want to help girls like that [in Black Snake Moan]. They just want to use them.
It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
In films, I didn't crave the type of attention I had sort of stumbled into in my music career. And I do not audition well. I'm really not good at it. Early on, I did movies like 'Alpha Dog' and 'Black Snake Moan' because the directors didn't ask me to audition.
I can't live in a bubble and expect to come and work with Dior or go work on a movie and not have some kind of an evolution within myself and my own thought process and a passion about things or what's happening in the world. All of those things are the elements that make you who you are, and those are the things that sincerely come across in a photo or a commercial or in an interview. That's a constant thing for me.
I love it when I come across a word I don't know. And I would never treat my audience like they weren't smart enough to come along with me.
I finally made up my mind that I would neither disclaim the black race nor claim the white race; but that I would change my name, raise a mustache, and let the world take me for what it would; that it was not necessary for me to go about with a label of inferiority pasted across my forehead.
Speakers find joy in public speaking when they realize that a speech is all about the audience, not the speaker. Most speakers are so caught up in their own concerns and so driven to cover certain points or get a certain message across that they can't be bothered to think in more than a perfunctory way about the audience. And the irony is, of course, that there is no hope of getting your message across if that's all the energy you put into the audience. So let go, and give the moment to the audience.
The cool thing is, I was a little nervous about how they were going to handle Black Panther in his own movie, but then when I saw 'Civil War' and just the perfect way they handled him in that movie, it made me even more excited about a Black Panther film.
Some time ago, I learned how to say, 'What's the worst thing that could happen up there?' I could mess up some words, I could sing flat... I could appear human. Is that really the worst thing in the world?
Many times, I get young people asking, 'What do you think about black movies?' And I say, 'What are you talking about? You mean Hollywood movies that have black people in them?' It's gone back to that, and that's not the same thing as a black movie.
I grew up in a little village in Kerala. It was a nightmare for me. All I wanted to do was to escape, to get out, to never have to marry somebody there. Of course, they were not dying to marry me. I was the worst thing a girl could be: thin, black, and clever.
During my campaign, I had come across a small number of (mostly) young men, who had strongly racist views. They told me they would only vote for a party that was willing to get rid of black and coloured people from this country. What struck me as strange is that they weren't bothered about the thousands of white Europeans arriving from Central and Eastern Europe.
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