A Quote by Christina Ricci

Unless it's a specific accent, or something about physicality you have to change, I am generally not such a conscious actor. — © Christina Ricci
Unless it's a specific accent, or something about physicality you have to change, I am generally not such a conscious actor.
Unless you become alert and aware in life, unless you change the quality of your living, you will not die consciously. And only a conscious death can bring you to a conscious birth; and then a far more conscious life opens its doors.
When a Spanish actor does an accent, that's sexy. When Peter Sellers did a French accent in 'Pink Panther,' that's funny - he got nominated for a Golden Globe. How come whenever an Asian actor does an accent, he's stereotyping?
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
I feel respect is in your hands as an actor when portraying a character, particularly when it's from the Indian subcontinent. I do make a conscious effort to do so and often talk to the directors especially about the heavy accent when it's not needed.
I personally am not conscious of my accent.
I am not very regimented unless I have to be. I wish I was someone that could just write every day, but I tend to work on specific projects for a specific period of time and then stop.
I always feel secure. I can't be a pure actor if I feel insecure. I can't let other things take over my love for acting. For me, it's a giving art. It is not something which I am doing for myself. I am doing it for my co-actors, unless it is something like 'Trapped'.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
There are times when I consciously give the character something physical - a walk, the way he sits, how he talks, or his lack of physicality, which is like a physicality.
Generally as a rule I am not. Unless I am super in love with a particular author, because I just want to read masterpieces. I just want to read one amazing book after another. As a completist you are generally reading the bad ones.
As a director, I have to do everything. As an actor, I'm just worried about one role, that's it. As a director, everything is important. Everything is something you have to be very detailed and specific about in telling a story. So for me, the job is far greater than just being the actor, there's a lot more responsibility creatively, technically.
Only comedians can talk about death, life, God and Virgin Mary. If I was a tragic actor, I couldn't allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown - very much.
I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.
One thing that's nice about writing a book about food is - unless it's from a specific place - you can revisit things easily by preparing the dish. The sensory detail that comes from interacting with that is something that can be recreated pretty easily.
I enjoy the physicality a little more, with Vinnie Paz [in Bleed for This] that was the most prep I've ever had to do for a film, that was a legit like 7 months of diet and working out. And then I was able to do like an accent, I was able to change myself physically, I was able to do a lot of the things that I'd always looked at actors and admired when they did that. So I was excited to do that.
The great thing about not being American is that you don't assume you know what a Southern accent sounds like, so you have to be specific.
This site uses cookies to ensure you get the best experience. More info...
Got it!