A Quote by Christina Tosi
You can't do a good deal with bad people, and you can't do a bad deal with good people. I often use that as my compass.
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I think you've got good people and bad people in everything you do. If you start making a big deal of it, then it's a problem. It's like in life. We've got bad doctors and lawyers. We've got bad priests! We don't target every priest and say he's bad. You have to go to church and you have to go see some doctors. Some people have to be good.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
It's bad, bad experience. Whether it's the Iran deal that you're so in love with, where we gave them $150 billion back, whether it's the Iran deal, whether it's anything you can - name - you almost can't name a good deal. I agree.
I was sheltered, and there's good and bad to that. The good was not getting into the drugs and the alcohol and the really sorry stuff, and the bad was finally coming out into the real world and trying to deal with it, which was hard for me.
I've worked with some very good directors and some very bad ones. I learned a great deal from both. From the bad, untalented people, you learn what not to do. And when you work with very highly talented people, you want to emulate them.
It's not that every single thing that happens on Facebook is gonna be good. This is humanity. People use tools for good and bad, but I think that we have a clear responsibility to make sure that the good is amplified and to do everything we can to mitigate the bad.
The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.
We should invest in people not ideas. A good idea is often destroyed by bad people and good people can always make a bad idea better.
I don't make excuses if I play bad. I just try to find a way to deal with it. I learned that from my family, to deal with your problems and still be good at what you do.
I'm not a great actor - let's face it. I don't have a great deal of scope. There are certain things I can do, but when I'm bad, I stink. There's something about my shaggy dog eyes that makes people think I'm good. I'm not all that good.
You know, I think a lot of times what happens when we as actors know we're playing a bad guy is we get into bad guy mode. You know what, man? In real life, bad people do good things too and good people do bad things. So you don't necessarily have to be the stereotypical bad guy to still do bad things.
No matter what happens to us in life, we tend to think of it as 'good' or 'bad.' And most of us tend to use the 'bad' label three to 10 times as often as the 'good' label. And when we say something is bad, the odds grow overwhelming that we will experience it as such.
I don't know one Jewish person that doesn't want to have a deal, a good deal, a proper deal, but a really good deal.
What makes 'The Wire' a beautiful story is how true to life it is. In other shows, you have a good guy and a bad guy. In 'The Wire,' bad guys are trying to be good, good guys are doing bad. You have real life. The people who do bad get bad things done to them.
Stuff that's really not that bad is made a big deal. People like to do that about everyone. You just gotta deal with it.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
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