A Quote by Christine and the Queens
Because I'm experimenting so much with gender-bending and listening to everything that happens to me in terms of genderless energies, I have a hard time finding partners that can match me.
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I always find it amazing that people get mad because they can't figure out my gender. Even though my only job here is to create art, I think being a genderless figure... it shakes people. And when that happens, it makes me feel like I'm doing my job.
My illness has changed me - I've always thought "life is short and I wanna make as much of it as I can," but I really don't have time to mess around. This has really been a wake-up call in terms of what's important, and I'm working hard to figure that out. I need to get better at not doing favors for people all the time. It's hard because there's so many people who have helped me get to the point where I'm in a band that people wanna come see, or where people pay money to see me lecture.
My first album was me finding myself and my voice, finding how I sing. I was rolling with the punches because everything was new to me.
I'm not convinced that what are traditionally considered to be male energies or qualities or female energies or qualities really have as much to do with gender as many people think they do.
I look like I'm not listening, but I'm actually listening. I like listening to everything, observing everybody, just taking everything in, and then, in my mind, figuring out what's good for me and what's bad for me.
My journey has been up and down a little bit. Everything that has to do with success for me has sort of become a shock to me. You work so hard, you work so hard, and it happens; you're like, 'What? Wait, it's happening to me?'
I think WrestleMania 17, everything's subjective, but if it's me, that's the best card and the best pay-per-view ever and just because of the totality of it. From opening match to last match, everything delivered.
As a woman of color, I've come to rely on straight white men telling me my experience of the world has nothing to do with my gender, race or class. (Unless something good happens to me, in which case they tell me my gender, race and/or class is exactly why that thing happened).
'Cue for Treason,' by Geoffrey Trease, radicalized my young girl brain and made me want to be a gender-bending, sonnet-writing anarchist. It really made something roar to life inside of me.
Football is more disputed in England than it is in Italy. Every match is a very hard match because the referee doesn't blow his whistle as much as in Italy, and every team plays against each other like it is a final. I enjoy it more in England because you have to think quicker. The pace of the game is faster, so you don't have much time to think.
It's been interesting for me because when I served in government before, I served in the White House. This time, I ended up serving in an agency, and it just made me respect and admire how much happens and that happens every day with people who don't even know all the work that's going on.
It's so much in me to want to keep experimenting all the time. It's just inherent.
Because I'm a chef, I eat out frequently, so it's hard for me to control what I consume in terms of calories. But when I'm at home, I eat what my wife cooks for me. She works hard to avoid making foods that are high in calories and cholesterol, so most of the time, she makes vegetarian dishes.
The most important thing for me is to have as much control over what's going on in front of me as I possibly can, so because of that, I don't play to a click track, and I don't have anything on the grid. Everything is triggered by me. Everything is played by me. Everything is within my control.
It is obvious when an actor has put work into prep and research and understanding their character, and they're making choices, because that's what happens when you take the time - or have the time - to really think about the material, but that only accounts for about 60% of what happens on the day. When you're in the moment, you throw it all away. Well, you don't throw it all away, but it's in you now, and everything is reactionary in that moment and you have to be honest and present and listening.
I'm always hearing music in terms of what I can take out of it, and I think I've always listened like that. I have a hard time just listening for pleasure. I'm much less about instinct, and more of a utilitarian listener.
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