A Quote by Christine and the Queens

That's part of what made me interested in theater as a kid. It made it acceptable to be a man for an hour onstage. — © Christine and the Queens
That's part of what made me interested in theater as a kid. It made it acceptable to be a man for an hour onstage.
My family encouraged me to paint, but I was never allowed to go to the theater. Naturally, this made me interested in the theater.
'Peter and the Starcatcher' is the most amazing piece of theater I think I've ever seen. It made we want to be a kid again and made me want to pretend, which I do on a nightly basis.
Man. I've been through a lot as a kid. But at the same time that upbringing just made me stronger and made me more determined to make it out of where I made it out from and just fight extra hard to not go back.
Personally speaking, growing up as a gay man before it was as socially acceptable as it is now, I knew what it was to feel different, to feel alienated and to feel not like everyone else. But the very same thing that made me monstrous to some people also empowered me and made me who I was.
Something always made me save myself. Either the Betty Ford Center or going onstage to perform in the theater when many people didn't think I could do it.
I was super shy as a kid, and theater was a way that everything made sense to me.
Whether religion is man-made is a question for philosophers or theologians. But the forms are man-made. They are a human response to something. As a historian of religions, I am interested in those expressions.
When God made the planet, he made the plants, he made the animals, he made the Sun and the Moon, and he made us, and we're all interconnected, and when we disregard, disrespect, or damage any part of it, we do violence against creation.
I have made stage adjustments which allow me to hear myself better onstage so that has made playing live much more enjoyable.
When I was a kid, I read books that made me laugh but also made me shiver in terror. I wanted to make books that made other people feel the same way.
I wanted to be an actor because I wanted to be onstage. I wanted to do musical theater, and from that I realized I was interested in plays. I never imagined myself on television. I was so lucky to be onstage my whole life.
Part of what was in the ether all around me growing up, until I was between 19 and 20, was a terrible, debilitating stutter. It was part of what made me very reclusive as a kid.
Twentieth-century man needs to be reminded at times that work is not the result of the Fall. Man was made to work, because the God who made him was a 'working God.' Man was made to be creative, with his mind and his hands. Work is part of the dignity of his existence.
I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.
I grew up being that kid backstage doing my math homework and my father made sure I knew from everybody in the cast to the lighting people and to respect everyone in the theater and all the way down to the janitor. It's a part of my childhood. It's what I know really.
I don't look at my old work. I mean, they made nice books; the books were made without me, the one from last year and the one from this year. I - personally, I'm not interested in my own past. I'm only interested in today - perhaps tomorrow.
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