A Quote by Christine and the Queens
I've always really been interested in observing people's postures, the way they speak with their hands, the way they communicate things with their body language.
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I did three DVD's for 'Baby Einstein,' teaching babies how to sign. It really helps a parent communicate because babies can't talk. But it has been proven that they can communicate using their hands to communicate. So sign language is a great tool in that way.
I was really interested in observing people. From a young age, I wouldn't listen to what an adult was saying - I was obsessed with other people's body language.
Language is the primary way we communicate with each other, and we have really strong feelings about what words mean, and about good language and bad. Those things are really based on sort of an agglutination of half-remembered rules from high school or college, and our own personal views on language and the things we grew up saying, the things we grew up being told not to say.
Every time another tribe becomes extinct and their language dies, another way of life and another way of understanding the world disappears forever. Even if it has been painstakingly studied and recorded, a language without a people to speak - it means little. A language can only live if its people live, and if today's uncontacted tribes are to have a future, we must respect their right to choose their own way of life.
No doubt I enjoy being close to people in the way I dress, the way I speak, and the way I communicate with people.
I do think technology really has changed the way that we communicate with each other and texting can be the way to communicate and to kind of get up the nerve to say things that maybe you wouldn't say in real life, but that also comes with a price.
I think, in a way, I invented the term 'fight club' and that these things have always existed, but they never really had a label. Nobody had a language to apply to them. I created that language in two words and I've been paid a great deal of money for inventing two words and labeling something that has always been around.
I've always had a problem with the things that people would say out of their mouths to other people. I've always had a problem with that, because a lot of people, they don't have enough information to speak to people a certain way or speak about people a certain way.
I really wanted to take the viewer to the 'here and now' regarding the exterminations, and communicate directly in a visceral way. The art of cinema can communicate that way, and that's why I wanted to do it that way.
Food became for me a way of becoming self-sufficient with my hands, to regain manual literacy, which I think has been lost on our generation and certainly younger generations. Very few people can actually make things with their hands and do things with their hands.
I'm very interested in the improvisation because one of the things I do is to help train scientists to communicate in a better way and more personal way when they're making a presentation, and I use improvisation to do that.
When I'm doing a one-on-one with somebody, I have to speak in a language that that person can understand, using a vocabulary that they instantly get, and I always have to feel my way around to figure that out. It's a lot of fun, and it's also really challenging - challenging in a different way from performing.
My parents and my brother instilled in me my sense of humor. That's kind of the way we communicate with each other, and it's always been a way for me to get to know people.
People ask me, 'What happened in your life that might have pushed you as an artist to get to where you are today?' I always felt a little on the outside. And as such, you're always observing things. So, I'd be kind of re-creating these things in my mind, and I think drawing it was a way to deal with that.
This is what magic is. It's being able to speak in a voice which makes things happen, being able to speak in a voice which causes facts to be beheld by groups of people in a way that has been purged from profane language, for us relegated to poetry and that sort of thing.
The problems of language here are really serious. We wish to speak in some way about the structure of the atoms. But we cannot speak about atoms in ordinary language.
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