A Quote by Christine and the Queens

I invented Christine as a survival technique. I was inspired by the idea that everyone could have a Christine inside to wake. — © Christine and the Queens
I invented Christine as a survival technique. I was inspired by the idea that everyone could have a Christine inside to wake.
I invented 'Christine' as a survival technique to deal with many things. I felt it would save me.
Christine O'Donnell released a commercial in which she says, 'I'm not a witch.' That's pretty good, though not as effective as her opponent's slogan, 'I'm not Christine O'Donnell.'
I think Christine and Chad are on the opposite extremes of the spectrum. Christine is a model victim, and Chad is a model perpetrator, and Howard is closer to the middle.
Calling this 'The Trial Of Christine Keeler' is clever because it's a re-examination of Christine's life and the trials and tribulations that she went through including the court trial. We as a society are so quick to judge, and no one has been judged quite as much as she has.
Christine Keeler was not allowed a voice. There were so many men who were imposing their views and opinions onto her and they decided who she was. Christine never had the opportunity to truly give her side of the story.
I think, from the beginning, I was healed and inspired by queer culture, and Christine and the Queens, as an idea from the beginning, is queer because it questions the norm.
Know that it is a corpse who loves you and adores you and will never, never leave you!...Look, I am not laughing now, crying, crying for you, Christine, who have torn off my mask and who therefore can never leave me again!...Oh, mad Christine, who wanted to see me!
You don't get roles like leading character in 'Christine' very often because people don't really like women on film to be unlikable. I think Christine is lovable, but I don't think she's likable. I think there's a fundamental difference. For me, those are the richest ones. Men have had a career of doing those kind of things.
I was up at Big Sur with Christopher Reeve and Christine Lahti, doing this woman in a big fat-suit - Mrs. Bassett in Tennessee Williams' Summer And Smoke - and my husband was in the show too, playing Lahti's fiancée. Every night he'd be proposing to beautiful Christine Lahti, and I'd barrel onstage in this fat-suit. I hated it! But I did it, because by then I knew that that was my casting.
Everyone has a little bit of Howard and Chad in them. I think there's Christine in all men as well.
Christine O'Donnell is making a mockery of running for public office. She has no real history, no real success in any kind of business. And what that sends to my generation is, one day, you can just wake up and run for Senate, no matter how [much] lack of experience you have.
The chaos surrounding her was confusing. Everyone was suddenly talking at the same time. Perhaps she should try to swoon after all, Christine considered. No, the settee was already taken, and the floor didn't look all that appealing. She settled on wringing her hands. It was the best she could do to look upset.
Christine was me wanting to break free. I was tired of being prissy and shrinking and apologising all of the time, so I created a character that could be daring for me.
Christine and the Queens is about not being safe.
And they were writing scripts where Christine had hit the glass ceiling. And I always thought Christine would never hit the glass ceiling. I thought her dreams would take her. Maybe her dreams wouldn't take her where she wanted, but she still had her dreams.
It's been a misery for me, living with Christine Keeler.
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