A Quote by Christine and the Queens

Every masculine hero narrative I could find I wanted to steal for myself and twist to my size. — © Christine and the Queens
Every masculine hero narrative I could find I wanted to steal for myself and twist to my size.
And I too wanted to be. That is all I wanted; and this is the last word. At the bottom of all these attempts which seemed without bounds, I find the same desire again: to drive existence out of me, to rid the passing moments of their fat, to twist them, dry them, purify myself, harden myself, to give back at last the sharp, precise sound of a saxophone note. That could even make an apologue: there was a poor man who got in the wrong world.
Steal five dollars and you're a common thief. Steal thousands and you're either the government or a hero.
I'm a size 10. I could be a size 8 if i wanted to, but i'm effin hungry
Every good story needs a hero. Back when I wrote 'The Search,' that hero was Google - the book wasn't about Google alone, but Google's narrative worked to drive the entire story.
I get to study and I got to mimic and what I basically did was I stole from every person that I could steal from. I was an imitator. That's what I was. It was years before I could take all of these things that I loved about all of these different artists and put them together and find my voice.
I just thought someone has to figure out how to break through that barrier and create a narrative for a black super hero story to unfold at the same scale as something like Star Wars. Rythm Mastr is about producing a narrative of a hero engaged in a struggle as complicated as those other stories. The catalyst for it was the beginning of the demolition of public housing in Chicago.
It was time to expect more of myself. Yet as I thought about happiness, I kept running up against paradoxes. I wanted to change myself but accept myself. I wanted to take myself less seriously -- and also more seriously. I wanted to use my time well, but I also wanted to wander, to play, to read at whim. I wanted to think about myself so I could forget myself. I was always on the edge of agitation; I wanted to let go of envy and anxiety about the future, yet keep my energy and ambition.
I wanted to tell the story of these women and the war in the Congo and I couldn't find anything about them in the newspapers or in the library, so I felt I had to get on a plane and go to Africa and find the story myself. I felt there was a complete absence in the media of their narrative. It's very different now, but when I went in 2004 that was definitely the case.
I don't immerse myself in the media narrative every day. I establish my own media narrative, and that's what I live.
Growing up, we never got to see a hero who didn't have superpowers who looked like us, that you could kind of look to and say, 'I could be that guy one day. I could be a patriot. I could be a soldier. I could work in the government and be a hero.'
You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
The Twist was a guided missile launched from the ghetto into the heart of suburbia. The Twist succeeded, as politics, religion and law could never do, in writing in the heart and soul what the Supreme Court could only write on the books.
The Twist was a guided missile, launched from the ghetto into the very heart of suburbia. The Twist succeeded, as politics, religion, and law could never do, in writing in the heart and soul what the Supreme Court could only write on the books.
A properly balanced story provides an equal representation of the negative and positive attributes of, I could say the world, but it's actually a being. 'Harry Potter''s a good example. So Harry's the hero, right. But he's tainted with evil. There's a dark and a light in every bit of that narrative. It's well balanced.
I think there need to be more female action heroines out there that are intelligent and not overly masculine and things like that so I'd love to find - and real too. Not necessarily the superhero perfect archetype of what an action hero is represented as a lot of times. I would love to find that kind of action heroine role to play.
I wanted to make a record with a twist. I wanted to prove that you could make a record that concentrated on song craft but that was still fun, something you could listen to and love and even dance to, but not hate yourself in the morning. I think I did that. Most of my lyrics come from my own personal journals that I have kept over the years.
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