A Quote by Christine and the Queens
Most people know Serge Gainsbourg's 'Histoire de Melody Nelson' album, but what's interesting is that in the early '90s, he actually went into a dark, weird phase that French people don't really like. They consider his music from that time weak. But for me, it's the best.
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A French friend brought over a load of Gainsbourg vinyl and I worked my way through it: by the time I got to L'Histoire De Melody Nelson (1969) I was thinking, 'How can this man have died before I got to know his music?' I was a convert.
I painted with my husband a portrait of a naked Serge Gainsbourg draped with a French flag, and it hangs in our bedroom. I love gritty and dark art like what the German couple Herakut does.
My dad has actually really influenced me musically. I have a weird love for '80s and '90s music. A lot of people are like, 'Are you serious? It's so lame.' But my dad always plays that in the car whenever we're together.
This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
I got tired of doing battle with people thinking I was a little weird because I wasn't in a band making happy, stilted music. The only people who really seem weird to me are people who think they're normal. People who think it's possible to be normal just by doing the same things that most people do. Is there a most people? I don't know. Television makes it seem like there is, but I think that might just be television.
The first time I toured the U.K. was in the early '90s with Billy Pilgrim, so I know how much the people there love music.
I do love Instagram, and my kids are with me, like, 24-7, so it's inevitable that they'll be on there. And honestly, I know it sounds weird, but I look up people all the time on it. Because I find people so interesting, and I'm curious about them. It's a gateway to meet new people. I think the whole concept of Instagram is really cool.
I was a French Quarter rat from the moment I could get on a bus by myself and go to the French Quarter. I played music most of my early life and it just seemed that to entertain people was a really good thing to do.
I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody.
We're getting bombarded by the most polarizing reactions. As much as the punk in me likes it, I'm really surprised by the weird energy that comes at you when people talk to you like that. I mean, I know there are people out there who loathe me and loathe Low, but they stop short of broadcasting it. It's just interesting to see that line getting breached.
I have never doubted the importance of melody. I like melody very much, and I consider it the most important element in music, and I labour many years on the improvement of its quality in my compositions.
Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
I get sentimental over the music of the ’90s. Deplorable, really. But I love it all. As far as I’m concerned the ’90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps.
I think I, like most people, enjoy a wide variety of music. Yeah, I like some country stuff - old country stuff. I might not enjoy Billy Ray Cyrus or anything. But, you know, Patsy Cline, Willie Nelson, early Johnny Cash - absolutely.
The most important thing for me personally is that I can connect with other people through my music. I want my album to be like a trip that people can take with me. My music is like me stripped naked because I open myself up completely.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
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