A Quote by Christine Bottomley
Indeed, there were times when it was quite worrying that after hitting a certain age, you wouldn't hear from a lot of actresses anymore. But that's when women hit their stride and get a lot more interesting. You see that in roles for males but it's slowly getting better for women too.
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I think that we're in a really amazing time, where there are really a lot of really fantastic female actresses and comedians. I imagine there's just a lot of opportunity for women to have powerful roles. Or it's just that there's more women writing TV. Women tend to maybe write strong women.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
The Declaration of Independence, the Constitution, and the Bill of Rights were all written by affluent white males, but to discuss them in any meaningful way, you have to bring in the roles of African Americans - the enslaved blacks - and the roles of women, who were scarcely acknowledged by those documents. You have to discuss why slavery wasn't outlawed by the Constitution, why women weren't given the votes. The Bill of Rights isn't about dead white males anymore, and it's not just about live white males either; it's about every minority group that exists.
Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.
The problem of sexism is getting better, but I don't know if it's getting better fast enough. We see more roles for women that don't entirely revolve around the way in which they function in a man's life, but typically those women are almost always white, and even then, there are only a few of them.
The women that I worship all hit their stride in their 30s or 40s or after. And that's going to be for me, too.
A lot of times I have the song inside of me and I have to fight to get it out. I'm a very visual person, so I can see the song but I can't hear it. But I think that if your music becomes a war for it to happen, in the end there's a certain kind of aggression in the music. And I think that's a lot more interesting.
There aren't a lot of roles in comedy for women of a certain age to play, especially with a 22-year-old.
I think a lot of women who are celebrities and who are very beautiful have terrible problems with their men being very controlling. Women allow themselves to be dominated and controlled by men in all sorts of other ways that are very complicated, you know? I don't really see a lot of women engaging in discussions about the struggles and power relations with men and their lives, like their bosses, boyfriends, husbands, coworkers. I don't see that happening very often, whereas I see a lot of misogyny on the internet. I see a lot of hatred towards women and a lot of fear of women.
I talk to a lot of women who have difficult times who are suffering. I really want women to be encouraged and to have hope because things can get better. Make good decisions, stop making bad ones, because we have to take responsibility too. But make good decisions and really the future will be a lot better for your kids - and yourself.
The characters that I want to play are interesting women. I don't care if they're good women or bad women or vulnerable women or women with a lot of faults or women that we dislike intensely who are malicious.
I do work with a lot of women in my company, and I write a lot of roles for women over 40. I think, in 'Feud' alone, we have 15 roles for women over 40, which I'm very proud about.
As a young girl, I never felt attractive. I was fat and unhappy at times, and that kind of thinking stays with you your entire life. There's always going to be a part of me that worries about not looking as slim as other actresses. But at a certain point, when you achieve a lot of your goals and you can be proud of your work, you start to relax more about who you are. And that includes your appearance and self-image - I don't think I look too bad for a mother of two. But women shouldn't have to feel the pressure to compare themselves to actresses or models.
I'm not an American as you know, and to deliver "Jackie" today in the United States and understanding the role of women in society is changing and I hope it just gets better and better - and also in cinema. There's very few interesting roles today for women in cinema. It's getting better and stronger and, and I'm proud to be part of that.
There's a lot of criticism on how an actress is aging. Why do we do that with women? I work with a lot of men who take terrible care of themselves - they drink too much, or they eat too much. We need to allow women to age.
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