A Quote by Christine Elise
People with film careers get a whole onslaught of people they spend 12 hours a day with every three months. It's like speed dating. You've got a fast-track to social intimacy with a whole bunch of people.
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Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
Some people get in the way of change happening. Some people spend their whole careers thinking they can make a difference. Other people want to do as little as possible to get the day done.
We have a whole bunch of young people and a whole bunch of families. Are we going to disrupt these families and tear them apart? Or are we going think, like, listen - these people are here. We've got to deal with this reality. We've got to extend the franchise.
We have a whole bunch of young people and a whole bunch of families. Are we going to disrupt these families and tear them apart? Or are we going think, like, listen - these people are here. We’ve got to deal with this reality. We’ve got to extend the franchise.
'House' has opened a lot of doors for me. I've met a whole bunch of people and got a whole new bunch of contacts. I've got the golden ticket.
You don't feel like you have to interact with a whole bunch of people when you get on Flipboard. It's not a source of social anxiety.
People say there's delays on flights. Delays, really? New York to California in five hours, that used to take 30 years, a bunch of people used to die on the way there, have a baby, you would end up with a whole different group of people by the time you got there. Now you watch a movie and [go to the toilet] and you're home.
For the first three years, when I was writing, I was doing sessions with a whole bunch of different people all the time every day until I met Lindy Robbins, who kind of mentored me. And then, once you find that, all the pieces come together.
Economists and financial analysts are not like steelworkers or people in other occupations. They don't get evaluated based on their performance. They can mess up every day of the week through their whole careers, and this would be just fine, as long as they messed up in the same way as their peers.
My vision is that schools need to be community centers. Schools need to be open 12, 13, 14 hours a day six, seven days a week, 12 months out of the year, with a whole host of activities, particularly in disadvantaged communities.
I used to work in kitchens, doing 12 or more hours a day of physical labor, so today, eight to 12 hours of cooking, chatting or filming feels like a vacation. When I have a scheduled 'day off,' I spend several hours writing, then I clean until I crash from fatigue. I don't relax well.
I spend three hours a day working on my social network profiles. I think about the right people to tag, the ones who might generate new leads. It's my work, my self-promotion.
You really got people that you got to talk to every day, you got teams that you gotta work with every day. You lose track of... not real life, but the people that really love you. It becomes a distanced thing because you give that job all of your time.
I mean the people who seriously, seriously play devote their lives to it sort of the way monks do. I mean you don't date, you go to bed at a certain time, you eat certain ways, you practice 10-12 hours a day. And I mean, the difference between practicing three hours a day and practicing 12 hours a day is everything. And I certainly never - I never trained seriously after the age of 16.
Am I a slacker? I can be a slacker. When I was in college, most people got summer jobs for college or did research during college. I went home and watched TV the whole day for three months; it was really awesome.
It was a melting pot in Las Vegas. You got every age level, every ethnic background, every social aura - it was an absolute Americana audience... people who were there to celebrate occasions; people who were there to gamble; people who were there because they were awed by the whole Vegas operation. Tourists.
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